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February 10, 2010
PSW Brings Chrissy Wallace To Daytona Series
PSW along with corporate sponsor Valkry bring Chrissy Wallace to Daytona
Beverly Hills, CA (PRWEB) February 10, 2010 -- Platinum Spyder Whale (PSW), through its corporate sponsor partner, Valkry Corporation, became the final piece of the sponsor puzzle, a problem that has plagued many NASCAR teams since the recession hit. Thanks to Valkry coming on board with others, Chrissy Wallace will make her NASCAR Nationwide Series debut for Rick Ware Racing at Daytona. Just as Wallace raced against her dad Mike Wallace in Talladega on Halloween, 2009, she will do the same at Daytona on February 13. A few other Wallaces will be in the race as well, marking the first time four members of a family will be on the track racing at the same time. So, in addition to Danica Patrick making her NASCAR debut, also in the race will be Steve Wallace, Chrissy's cousin and son of the Legendary Rusty Wallace , and her uncle Kenny Wallace, a former NASCAR Rookie Of The Year. Her Dad Mike Wallace is a four time winner on the track at Daytona, and finished fourth in 2007’s Sprint Cup Series at Daytona.
In addition, Chrissy's sponsor,Valkry Corporation, will be building a custom made VALKRY car valued at $375,000 to be auctioned or raffled off. The special custom made car will feature Chrissy Wallace's signature, and is being built specifically for a fund raiser for the Look, Listen & Learn teaching system being developed by Avisod’s Peter Nowak to help eradicate the literacy problem in America and to benefit ARTSECATION and BOOK BANK FOUNDATION.PSW has enlisted the services of Apple Producer, Michael Bloom and the car will feature a specially built apple ipod center on its dash board as an added bonus.
"We are proud to work with such a terrific talent as Wallace", says Spyder Duane Hughes, PSW Exec
"We are proud to work with such a terrific talent as Wallace", says Spyder Duane Hughes, PSW Exec and designer of CHRISSY WALLACE CLOTHING LINE. “I met Chrissy when she was only seventeen, and always knew she would get to this big stage at Daytona
In addition, PSW is launching a campaign to promote literacy partnering with VALKRY Corporation through promoting Avisod’s LOOK LISTEN AND LEARN (L3) to kids and adults nationwide.
"This is a perfect fit since we make fast cars and Chrissy drives fast cars. and we look forward to working with Chrissy from this point forward", says Mike Brown, CEO Valkry Corp.
"PSW is excited to be on the fast track of new companies as Chrissy Wallace is on the fast track of winning races for the female generation in Nascar", says Harold Whaley, Executive of PSW. www.platinumspyderwhale.com, Media Contact: AWJ Platinum PR, www.awjplatinum.com ;
By Dennis U. Eroa Philippine Daily Inquirer First Posted 23:21:00 12/05/2009
Filed Under: Basketball, Sport
LAS VEGAS—The long-cherished dream of a Filipino cager strutting his stuff on American soil may soon become a reality as the American Basketball Association holds its summit for global expansion on Dec. 8 at the Las Vegas Country Club in Winchester, Nevada, here.
Singapore-based Filipino sportsman-businessman Paul Monozca, current vice chair of the ABA Global, will head the Philippine delegation to the summit where ABA will formally announce its plans for the expansion and reiterate its commitment to the league.
“This a huge step toward opening the eye of the world to the talents and skills of Filipino cagers,” said Monozca. “ABA Global which is on a $200 million global expansion program knows the importance of the Philippines and the capabilities of its basketball players.”
He clarified that doors are open for the Smart-Gilas Team Pilipinas, the PBA and other stakeholders in basketball to compete in the World Cup and other events under the ABA Global, which is the international arm of the organization.
Singapore will host the ABA World Cup Basketball Asia qualifiers.
“I am in talks with Filipino basketball leaders because this is all about making our country proud,” said Monozca, also the first Asian to sit on the ABA Board of Directors.
Expected to attend the summit are past and present ABA stars, including Julius “Dr J” Erving, Connie Hawkins, George “the Iceman” Gervin, and Moses Malone.
Also attending are legendary college coach Bobby Knight, former LA Lakers stars Isiah Rider, hip-hop legend Duane “Spyder” Hughes and other personalities.
The NBA acquired the ABA in 1976 and absorbed its top four teams—the New York Nets, Denver Nuggets , Indiana Pacers and San Antonio Spurs.
After getting back the rights from the NBA in 2000, the membership of ABA has since grown from 10 teams to 60 teams presently.
October 12, 2009 -- Hip-Hop pioneer, and entrepreneur "Spyder" Duane Hughes received confirmation from Carla Wallace, that on October 30th, 2009, at the renowned Talladega Motor Speedway in Alabama, yet another chapter will be added to the legendary Wallace racing family legacy, as Mike Wallace will race against his 21 year old daughter Chrissy in the NASCAR Camping World Truck Series. The event will mark the first time that a father and daughter have raced competitively in a NASCAR series.
Mike Wallace, middle brother of the Wallace brothers racing triumvirate, (Kenny, former NASCAR Rookie Of The Year, is the youngest, and Rusty, the eldest, the seventh most prolific winner in NASCAR history), as Mike is a popular veteran on the Nationwide and Sprint Cup Series who boasts several wins at the famed Daytona Motor Speedway.
Chrissy Wallace, who began her pro career last season at the same Martinsville, Va track her dad debuted in, impressed in the Truck Series with several top 20 finishes at the tender age of 20.
Hughes, who designed the clothing line that bears Chrissy's endorsement and style, had recently began campaigning for a Danica Patrick versus Chrissy Wallace charity race off said, "I am extremely happy for Mike and Chrissy, as I know it has been a vision of theirs for the past 3 or 4 years to be the first to accomplish this feat. Maybe now I can get Bobby Norfleet and his daughter Tia to race against Mike and Chrissy in the ultimate father and daughter showdown! It is this spirit of competition that keeps sports fans coming back."
For further information: www.mikewallaceracing.com or contact publicist belinda@awjplatinum.com NASCAR, Mike Wallace, Chrissy Wallace, Talladega Superspeedway, Camping World Truck Series,
DJ Mr. Magic, a pioneer of hip hop's on the radio, died Friday. Rap legends from Biggie Smalls to Tupac Shakur lionized him in their verse. And now, like them, he's gone.
DJ Mr. Magic, one of hip hop's conduits to radio, died Friday of a heart attack.
Born John Rivas, he launched and hosted the first all-rap radio show in the U.S.
Titled "Rap Attack," the show debuted in 1983 on WBLS and quickly became an inspiration point for key players in hip hop. The show, which lasted six years, also featured deejay Marley Marl and Tyron (Fly Ty) Williams.
At his peak, in the mid- to late '80s, Magic had a rivalry with Kool DJ Red Alert, who had his own show on WRKS. They each had their own rap groups. Magic's Juice Crew featured such key names as Biz Markie, Roxanne Shante, Kool G. Rap and Masta Ace.
In 1992, Nas immortalized Mr. Magic in "Halftime" while Biggie name-checked him in a track called "Juicy." Tupac also mentioned the record spinner on his 1995 cut "Old School."
For Immediate Release Media Inquiries: Dretam PR Tel: 678-495-1465 Email: pr@dretaminc.com
Spyder D, here with LL Cool J, 2008
Legendary Emcee Spyder D Releases Single from Final Project First Single, Who You Follow (My Twitter Baby) With the popularity surge of online communication and texting, rap legend, Duane, Spyder D, Hughes speaks on it in his latest single âWho You Follow (My Twitter Baby). âThese days people are barely having phone conversations. Relationships are blooming through Twitter, texting, Facebook and others. I think its fun and we donât have to talk anymore, Hughes says laughing, âas long as long as itâs within a certain amount of characters of course.â
âSpyder D" (Duane Hughes) is a classic "old school" rapper and producer from New York City who combined elements of jazz and funk in his live instrumental backing tracks. "Big Apple Rappin" was perhaps his most famous 12" released on his own Newtroit Records in 1980, becoming the first rapper to do so. The bass player, Billy Wilson, and now president of the Motown Alumni Association, along with Spyder is starting the Newtroit label again with this release. Another notable release was "I Can't Wait (To Rock the Mike)" released in 1986 as singleâa version of the Nu Shooz hit "I Can't Wait". Other Spyder D releases include "Buckwheat's Rap" (Profile, 1985), and the house party hit "Smerphie's Dance", now an often-sampled cult classic. Spyder D's brand of music was characterized by a laid back attitude, humor, and skills on the microphone. During several stints in the 80s and 90s, Spyder worked for Power Play Studios in Queens which was the focal point of Hip-Hop recording. He engineered and mentored to several up and coming acts including the then eighteen year old Teddy Riley, Salt -N- Peppa producer Herbie Azor and a pre teen Peter Gunz. Through the urgings and tutelage of legendary disco era producer Patrick Adams, Spyder began a dual role as both engineer and manager for the renowned studio. He brought back in to the studio such luminary clients such as DJ Run of Run-DMC, producer Larry Smith (Whodini, Run-DMC Grandmaster Flash), BDPâs KRS One, Herbie Azor and Salt & Peppa along with superstar producers like P Diddy and Hit Squad producer Ron (Amen Ra) Lawrence.
In 1984, Bow Legged Lou and the group to become famous known as Full Force, produced a young rap group out of Brooklyn, NY known as UTFO. Little did anyone know at the time, that a track cut as a B side filler for one of the 12" singles was to touch off one of Hip-Hop music's all time phenomenons.
"Roxanne, Roxanne" touched off a "dis" record war on wax, that ultimately opened the door for female solo acts and groups to be recognized as viable and relevant in the male dominated world of rap.
Two such acts were Roxanne Shante and Sparky D.
Shante answered UTFO's single with the now classic line, "why'd you have to make a record 'bout me?". To which Sparky D answered with "it's Sparky's turn, Roxanne you're through".
Not to be left out in what obviously was taking off as a hot trend, Select Records Fred Munao enlisted Full Force to answer UTFO with their own version of female rapper Roxanne in the voice and person of Elease Jack, the original "Real Roxanne" (who was later replaced with Adelaida Martinez, the new "Real Roxanne", who, ironically used DJ Howie Tee, who is the producer of Chubb Rock who co-stars on this show).
At one point, there were some 50 so called "Roxanne" records released!
The Roxanne Shante versus Sparky D rivalry reached epic proportions in 1985 when the two finally met in North Carolinaâs Dorton Arena. The event was sold out as close to ten thousand people came to see what was billed like a heavyweight prize fight. That astounding result finally signaled that solo female rap artists could sell tickets as well as records, as any of their male counterparts. There had been previous success amongst female rappers with Sequence (who featured future R&B star Angie Stone as Angie B), the Marly Marl produced Dimples D, and Sha Rock of The Funky 4 + 1.
The international popularity of Roxanne Shante and Sparky D opened the door for the likes of MC Lyte, Salt & Peppa, Yo Yo, Queen Latifah and more to come busting through shortly thereafter, with their contemporary rap about more feminine topics.
Hip-Hop pioneering producer/artist Spyder D , who co-produced both Shante and Sparky with legendary producer DJ Marly Marl (on Round 1, an EP featuring the two dynamos verbally jousting), had a front row seat to this golden era of Hip-Hop...
Spyder D says, "Shante and Sparky were both young, and they were very emotional. They took it personal sometimes, and I would have had pity for any other female MC at the time, that would have stepped in while they were locked in! They would have been eaten alive by the two of them. In a sense, because they were so busy concentrating on each other, the other females kind of eased in there talking about subjects that mattered more to females, while they were still doing battle rhymes, but make no mistake, they showed the world that female soloists or groups were a forced to be reckoned with. They were not the first female rappers on wax, but they were the first to be able to headline their own show in a major sized venue. Not only did they pull it off, they sold the joint out".
"Round 2" is a live club performance commemorating the 25th anniversary of the famous Roxanne wars, and in particular Roxanne Shante and Sparky D.
Shante now has a doctorate degree in phsycology from Cornell University, and Sparky is an Evangelist in Atlanta spearheading a youth against violence movement.
Both are good friends now, and believe that they are empowered and entrusted to teach the youth of today through their unique experiences and present callings.
Says Shante, âSparky and I have travelled different paths to get here to this new stage in our respective careers. We grew up into adulthood as female rappers, which gives us a unique perspective when addressing the youth of today.â âHip-Hop is still a big part of my life as I step into the ministryâ, says Sparky. âWorking with people like Greg Street, I can reach the youth of today, without sounding to preachy. Holy Hip Hop is still Hip-Hop.â
Performing with the pioneering rap queens will be the former âKing Of Rapâ Kurtis Blow, the first rap artist signed to a major label (Polygram), who had a slew of major hits including Christmas Rap, The Breaks, and If I Ruled The World d. Also co-starring on the bill is Chubb Rock, whoâs smash hit âTreat Me Rightâ was ironically produced by his cousin, Howie Tee, the DJ for the new âReal Roxanneâ.
Music will be provided by the legendary Kool DJ Red Alert, who was Sparkyâs original DJ, and Grand Creator K Wiz, Sparkyâs second DJ.
Special Guest Referee for the Battle will be King Cee, with V-103âs Greg Street as Host MC
The maiden performance of this proposed club tour is June 1st, in the Atlanta area on Industry Night at The Ultimate Bar & Grill, 3515 Camp Creek Pkwy, East Point, Ga. 30344
Hot Sauce All Stars Hit the Court for BaSix Knowledge Academy
Hot Sauce All Stars Hit the Court for BaSix Knowledge Academy The All Stars will take on the Hot 107.9 Hot Shots
Decatur,
GA - (March 20, 2009) - King streetballer, actor and entrepreneur,
Philip "Hot Sauce" Champion and his all star celebrity team will play
the Hot 107.9 Hot Shots for a worthy cause on April 11, 2009. Proceeds
for this event will benefit BaSix Knowledge Academy.
Playing
for the All Stars are Philip "Hot Sauce" Champion (AND1, Crossover the
movie), Block Entertainment's Jody Breeze (Boyz In Da Hood), R&B
artists Sammie, Wingo (Jagged Edge), Travis Taylor (Detroit Lions) and
Robert Edwards (New England Patriots). Other players include retired
NBA player Mahmoud Abdul-Rauf (formerly Chris Jackson), Spyda (AND1)
and 50 (AND1). Coach for the team is rap legend "Spyder" Duane Hughes.
The game is at the Decatur Recreational Center
located at 231 Sycamore Street, downtown Decatur. Doors open at 3 p.m.
and the game starts at 4 p.m. Tickets are $10 each, general admission.
Purchase tickets online and see other event details by visiting www.HotSauceAllStars.EventBrite.com or call 678-495-1465 for more information. Sponsored by www.EntertainCorp.com and Rolling Out Weekly.
About BaSix Knowledge Academy Known
as two schools in one, BaSix offers a K-12 Academy that caters to the
high achiever as well as the student who has academic deficiencies. The
challenging yet diverse curriculum follows the Georgia Performance
Standards while allowing students to develop critical reading and
writing skills. The Independent Study Program is part two of the
school and designed for students 16 and older who didn't pass the
graduation test or after some years of dropping out realizing they want
to finally work towards a high school diploma. These students work from
home to earn credits. The school is not populated with the
traditional private school students who have financially wealthy
parents. These students are privileged to attend BaSix by way of
scholarships funded through donations. For more information, visit www.BasixKnowledgeAcademy.com.
College Park Spyders President of Basketball Operations announced today, as part of their community outreach and marketing program, they will launch the Spyder AK15 basketball shoe (see prototype photo below).
"I am excited to finally get this program underway", said the American Basketball Association's College Park Spyders President "Spyder" Duane Hughes, a former rap pioneer, from his College Park office.
"I reached out to my graphic artist guru Chris Drew last year with the basic concept as a possible shoe for my former star point guard Zach Marbury, brother of Stephon Marbury, whose "Starbury clothing/shoe line outfitted our now defunct CBA squad.We have since tweaked that model to come up with the current one. As usual, with Chris Drew and I, he nailed the vision I conveyed on the first draft, just like he did with the Krunk basketball uniforms, and the Chrissy Wallace racing jacket. You give this guy the basic concept, and he is a beast at interpreting the vision. Absolutely uncanny!"
Cornel Hardy will be our lead consultant for the retail and online launch, as he has vast experience in the industry. The Book Bank Foundation will be a major recipient of what we do, as Glen Toby and I will fashion a sort of "books and shoes" program for back to school, Thanksgiving and Christmas clothing drives. We will also work with Chris Chaney and his street ball tourney at Princeton. We will keep the shoe very affordable and accessible, so that the average family can both find, and afford them. The shoe is designed to be both stylish and comfortable, while being sturdy for quick stops and starts, which is what the prototypical basketball players moves rely on in todays game."
"Hopefully, we will also work out something with ABA CEO Joe Newman, and a third party sponsor, whereby we can outfit the ABA. I am working on new uniform designs as well, which I will soon pass on to Chris Drew for him to do his graphics artist wizadry. We will then get the patterns to our manufacturer. We will have all types of gear, from warmups to practice gear, baseball caps, and a winter coat for teams and schools that have to travel in wintery conditions. I am very proud of the line that we are developing. It is further evidence to our commitment to the game of basketball and the young aspiring boys, girls, men and women that play the game.
College Park Spyders Add Excitement to the ABA Franchise by signing Phillip "Hot Sauce" Champion for the 2009-2010 Season
Julius "Dr. J" Erving signing with the Phillip "Hot Sauce" Champion signing with ABA's Virginia Squires in 1971. College Park Spyders as president, "Spyder" Duane Hughes looks on.
College Park, GA - 1/26/09- King streetballer Phillip "Hot Sauce" Champion has inked a contract to play for the newest American Basketball Association (ABA) franchise, the College Park Spyders.
"Spyder" Duane Hughes, president for the team, said the signing will make ABA history.
"This signing reminds me of when Julius Erving first came into the ABA with the Virginia Squires," Hughes says. "There were no trumpets blaring or fanfare. The Squires executives knew just what they were doing though. They were signing Mr. Excitement. The same with Earl "The Pearl" Monroe when the Knicks got him in a trade from the Baltimore Bullets. The papers were all questioning whether Pearl's streetball, one on one style would work with the Knicks consummate team system. Doc went on to become the face of the NBA-ABA merger, and Pearl cemented his enshrinement in the Hall of Fame with an NBA championship as the ultimate team player as he toned down his game."
Champion, who's 6-year run on the AND1 Mixtape Tour scored the highest television ratings, is equally anxious about the upcoming season.
"I just want to be an asset to the ABA as I was to AND1," he says.
Glenn Toby, CEO for the team says Hot Sauce joining forces with the Spyders is a win-win arrangement.
"I have spent most of my sports career on the other side of the table, I have a played an important role in the building of many successful teams by supporting, managing and negotiating to bring the team and talent together," Glenn says. "When you are able to engage an athlete at the level of talent that Hot Sauce has with a new franchise like the Spyders you have a recipe for success."
Optimistic about where the ABA and the College Park Spyders are headed, Hughes says he encourages the players to play their game.
"I told Sauce just to be himself on the court. Basketball is basketball when you are born with God-given gifts. I just want him to use what God gave him. Like the ABA of old, people will come to see something they have never seen before, on any level of the game. That's what the great ones do," he continues. "They create, improvise and mesmerize. There will be doubters, as there were in those cases. That is our challenge as an organization, that is Hot Sauce's challenge as a player who will be leading an expansion franchise. In my talks with him, I am confident that he will rise to the occasion and prove that he is every bit the ball player that his unique skills say he is. As the team president, GM and coach, he already knows he will not have to look over his shoulder every time behind the back pass goes sailing out of bounds. I got his back. I just want him to be himself, and let his talents speak for its self".
Hot Sauce and the College Park Spyders will take the court this fall. For more information, visit www.SpydersBasketball.com.
Spydo Music teams up with Dretam Inc., names Tambria Peeples VP/Public Relations. Al Pizarro, former head of VIP/VIP Latino Record Pool in NY is now Spyder D's personal mgr. Details on these developments will be released next week.
ABA expands to College Park, Georgia in 2009
December 22, 2008 - American Basketball Association (ABA)
Indianapolis, IN. The American Basketball Association (ABA) today announced that it will add a team to College Park, GA next season. "We are extremely pleased to have Duane "Spyder" Hughes back in the ABA," said Joe Newman, ABA CEO. "His knowledge of basketball and entertainment is extraordinary and combined with his business acumen, we know that this team will be very successful. The College Park Spyders will be a great addition to the ABA and will certainly add to our Southeast region."
As an artist/producer, Spyder Hughes shared the 80's musical spotlight with fellow Hollis natives Run-DMC, LL Cool J, Davy D, Hurricane, Orange Krush and Alyson Williams. Childhood schoolmate Russel Simmons later became his manager and mentor. Spyder formed Newtroit Records with college friend Tito Lewis and spawned classics like "Big Apple Rappin," Smerphie's Dance" and others He has worked with Nas, The Beatnuts, Eric B, CJ, Akinelye, DJ Polo, Father MC. Currently, he is working on his autobiography and on his final rap album, "Legendary," in honor of the legendary people he has worked with over the span of his career.
"I am thrilled to be back in the ABA," stated Hughes. "I am a basketball junkie that has always been enthralled with the Red, White and Blue since Dr. J and Bill Melchioni were winning championships on Long Island, NY in the seventies. The influence the ABA had on me as a youth is still evident now as I approach this thrilling challenge of bringing pro ball to my adopted home of College Park, GA, the home of so many entertainment stars. My CEO, Glenn Toby, is already laying the groundwork for a successful foray for the community, our players, and the ABA." For more information, call 1-800-201-9919 or email _spyderd@spydomobile.com. The new website will be active shortly.
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The opinions expressed in this release are those of the organization issuing it, and do not necessarily reflect the thoughts or opinions of OurSports Central or its staff.
NEW YORK, NY, Sep 17, 2008 (MARKET WIRE via COMTEX) --
After almost 40 years in the vault, the never before heard or seen multimedia material produced by Jimi Hendrix and the Ghetto Fighters(TM) is being readied for release and licensing through a subsidiary of the we-R-you Corporation (PINKSHEETS: WERU), the technology, software and multimedia company. The previously unreleased material was produced by Jimi Hendrix, Arthur Allen and Albert Allen aka TaharQa Aleem and Tunde Ra Aleem, the 3 principals of Jimi Hendrix and the Ghetto Fighters, and will be made available globally through a wholly owned subsidiary of the we-R-you Corporation formed with the Aleem Brothers to bring these projects to market. The Aleems and Jimi Hendrix made up the members of the group and are the originators of the material. The Aleems first met and began working with Jimi Hendrix in the mid 1960s and together recorded three Hendrix albums, "Cry of Love," "Rainbow Bridge" and "War Heroes."
The newly released material includes previously unheard recordings, a feature length movie script, a full length autobiography, a series of animated short stories for TV and the web, and drawings by Hendrix of himself as an illustrated character, which in today's virtual reality world would be known as an avatar. "Jimi was a true visionary," according to TaharQa Aleem, "whose creativity went far beyond music. He saw the future and while he may not have understood computers or known about digital technology and virtual worlds, he knew that things like this were coming and created material that would work in that world." Added brother Tunde Ra, "Jimi might not have known what an avatar was, but he foresaw a day when we would all have representations of ourselves that could move in different worlds. When you see his original sketches of himself and create a real avatar out of them using today's technology, the result is amazing." The Ghetto Fighters were formed in 1970 by Jimi and the Aleem Brothers (who are identical twins) to explore new projects that would go beyond the work Jimi had been doing and expand the sounds he was working with. "The music and material sounds brand new," according to TaharQa, "and for all intents and purposes it is. It'll surprise and delight current fans and new ones to come."
"The material will be released in segments," according to Allen LeWinter, Chief Branding and Marketing Officer of we-R-you, who is heading up the project. "It's like finding more treasure than you could have imagined and realizing that each element needs to be released in its own time and way," continued LeWinter. "The Aleems are incredibly talented and incredibly protective at the same time and want to ensure that this is done just right for the legacy of Jimi Hendrix and The Ghetto Fighters."
The Aleems and all the rights were first brought to we-R-you through the efforts of Spydo Mobile and its principal, Duane "Spyder" Hughes. Spyder recognized the changing face of the entertainment business and brought the Aleems to we-R-you for an "all in one deal."
About The Aleem Brothers
Tunde Ra and TaharQa Aleem began their careers working with the greats of rhythm & blues such as Sam Cook, Sam & Dave, Otis Redding, Big Maybelle, Bobby Womack, Clarence "Blowfly" Reid and many others. Learning the inner workings of the music industry through their association with Harlem legend Fat Jack Taylor, owner of the independent label Ro-Jack Records, TaharQa and Tunde Ra would later establish the famous Harlem World club with Taylor, which proved to be a spawning ground for a large number of pioneer rap acts. While working with Ro-Jack Records the Aleems first met Jimi Hendrix while Jimi was still a sideman playing and touring with Little Richard, the Isley Brothers and others. Soon after, Jimi, TaharQa and Tunde Ra shared an apartment in Manhattan's Park West Village and formed a bond which would indelibly shape the brothers' as well as Jimi's life and career.
About we-R-you, Corporation
we-R-you is a next generation secure and private social networking portal converged with online photo and video albums, a music library, a personal, private and secure remote hard drive ("cloud drive"), integrated SMS, IM, Email and VoIP, significant security enhancements above using the "public internet" and many more productivity tools. we-R-you is strategically positioned to capitalize on consumer demand for an optimized online experience. By design we-R-you doesn't just blend the most powerful features and customer retention components of a "portal" with those of the world's leading social networking sites; we-R-you raises the bar to another level, including original multimedia entertainment content and product and the experience of its executives in the marketing and distribution of that product. The result is an optimized social networking site that integrates security, communication, contact management and productivity solutions. we-R-you untangles the mess of using 5 separate programs to do 5 separate things. It simplifies interaction with contacts, improves productivity, increases virus protection and virtually eliminates the likelihood of losing data. It's an environment where everything is online.
"SAFE HARBOR" STATEMENT UNDER THE PRIVATE SECURITIES LITIGATION REFORM ACT OF 1995: The statements contained in this release which are not historical facts are forward-looking statements that are subject to risks and uncertainties that could cause actual results to differ materially from those set forth in or implied by forward-looking statements. These risks and uncertainties include the Company's entry into new commercial businesses, the risk of obtaining financing, recruiting and retaining qualified personnel, and other risks described in the Company's Securities and Exchange Commission filings. The forward-looking statements in this press release speak only as of the date hereof, and the Company disclaims any obligation to provide updates, revisions or amendments to any forward-looking statement to reflect changes in the Company's expectations or future events.
Copyright and TM 2008 we-R-you, Corporation All Rights Reserved
LL Cool J (James Todd Smith), and his dynamic duo of DJ's made a triumphant return to Atlanta on Friday as V-103 FM hosted his listening party for his soon to be released album CD on Def Jam Records. The superstar rapper/actor has been working on the disc for two years, and seems pleased with his efforts.
He was his usual polished and confident self as he swaggered through hit after hit, after hit, before he gave the audience a taste of some of the new material. On the track "Watch Me", LL was sending a message to rival rappers and would be haters that he was indeed a force still to be reckoned with, and told the crowd that this album had plenty of tracks like "Watch Me". He seemed to be answering critics who have felt he had become more of a "ladies man"
rapper that did not care about his hard core male rap fans that made him into one of the all time greatest of the genre.
The crowd was in a frenzy from start to finish as his DJ duo of Cut Creator and DJ BobCat went back and forth, slicing in booming beat after booming beat. Noticably missing from the set however, was his gigantic pop hit, "Mama Said Knock You Out". It hardly mattered however as LL Cool J (stands for Ladies Love Cool James), manipulated the crowd like a symphony orchestra maestro with his dynamic vocals and ominous stage presence. At one point, LL had ushered as many as
fifteen women on stage, including, unbeknownst to him at the time, former female rap superstar Sparky D, who stunned LL as she joined him in an impromptu dance at the left stage area. When he realized who he was dancing with, LL announced her to the crowd and continued his performance. LL shortly there after spotted his one time Rush Productions Mgmt. stable mate Spyder D, and shouted to him "I have not forgotten you". As the performance wound down, LL kept his promise from early on in
the show, to a female fan and signed an autograph on a shirt for her birthday. This led to a flood of on stage autograph requests, in which the superstar obliged all requests and signed posters, shirts and anything that was thrust in front of him.
The show was emceed by V-103 air personality Joyce Littel, who was her usual funny, engaging self. Opening for the show was seventeen year old Def Jam prodigy Karina, who was performing songs from her debut album "First Love". As hostess Littel pointed out, "she's got some alicia Keys in her", the young dynamo showed versatility and a calm not normally seen in one so young, and seemed especially at home while playing keyboards and singing ballads.
LL's current single, "Baby" featuring The Dream is #59 on Billboard's Top 100, and#35 Hot R&B/Hip-Hop charts. The album, entitled "Exit 13", is due out on Sept. 9th, and is his 13th album since he debuted twenty four years ago. At the time of this writing, Atlanta's Cheryl Dixon of Four Plus Four Productions, was in negotiations to bring the superstar back to Atlanta for a benefit concert that features Fantasia
and J. Holiday at Morris Brown College's famed Herndon Stadium on Sept. 20th. A portion of the proceeds will go directly towards aiding the financially challenged historically black institution.
James Todd Smith, aka Ladies Love Cool J, aka the G.O.A.T. (Greatest Of All Time), has issued yet another reminder as to why he may be just that!
Comedian Bernie Mac died this morning in a Chicago hospital
By Kelley L. Carter and Glenn Jeffers |Tribune reporters
9:43 AM CDT, August 9, 2008
Comedian and actor Bernie Mac (Bob Fila, Chicago Tribune / December 6, 2000)
Comedian and Chicago native Bernie Mac died early Saturday morning from complications due to pneumonia, his publicist confirmed.
Mac, 50, had been hospitalized for about a week at Northwestern Hospital, according to his spokeswoman. A few years ago, Mac disclosed that he suffered from sarcoidosis, a rare autoimmune disease that causes inflammation in tissue, most often in the lungs.
The comic born Bernard Jeffrey McCullough could cut an imposing figure. He stood 6-foot-3, was built like a fullback and carried himself with a bouncer's reticence. But perhaps the strongest weapon in the Chicago comedian's arsenal was that voice, that amalgam of thought and a delivery that could rise like a tidal wave, outpace a Gatling gun and remained, to his last days, loud and unapologetic.
He wasn't scared, he told us time and again, to tell anyone what he thought, to say what others were afraid to say. That fearlessness wasn't always welcome, considering Mac didn't get his big break until his 30s. But when he did, the comic skyrocketed to success in stand-up, television and the big screen.
Mac shared screen time with some of Hollywood's larger-than-life leading men, co-starring with Brad Pitt, George Clooney and Matt Damon in the "Ocean's 11" remake and subsequent sequels.
Most recently, Mac garnered attention for making unsavory comments at a Barack Obama benefit that the presumptive Democratic candidate had to distance himself from.
Growing up on the South Side a hard-core White Sox fan, Mac discovered early on that he wanted to make a go at being a comedian.
Before his 10th birthday, Mac was performing comedy standup, honing his skills on CTA trains and parks before graduating to well-known haunts like the Regal Theater and the Cotton Club. He came to a realization during those first years as a struggling comic: If he could kill in front of a black crowd, he could kill in any crowd.
"Black audiences are hard," he told the New York Times in 2002. "You got to come with a little extra to satisfy them."
He also learned that comedy isn't a lucrative business when you are starting out. During those lean years in the '80s, Mac drove a Wonder Bread delivery truck to pay the bills.
Life changed dramatically for Mac when he was 32. He won the Miller Lite comedy search that year and that performance took him to the standup stage, which ultimately led to regular performances on popular shows like HBO's "Def Comedy Jam."
In a few short years, he was able to put a stamp on this tell-it-like-it-is brand of comedy that audiences had come to know him for. He was a hit on the stage, delivering sordid tales of his early life growing up on Chicago's South Side.
His work hit home to the African American audience -- his aggressive, brash comedy had a down home feel to it, tackling everything from family life to black romantic relationships -- yet Mac was able to cross it over, connecting with a majority entertainment scene.
"When I started in comedy in the clubs in 1977, blacks couldn't do certain clubs -- not because they were segregated. They just didn't want to put the [black comics] out there. In Los Angeles, the clubs would have a black night. People would say, 'Why don't you come by and do something?' I would say, 'I'm a comedian -- don't put a title on me.' Don't limit yourself. How you start is how you finish," he told the Tribune in 2007. "If you let people put tags on you, you'll never be able to remove them. You've got to make people respect you. Respect is bigger than dollars and cents."
Mac got his respect and he gained national attention after his set on HBO's popular late-night series Def Comedy Jam in 1992. Decked out in a pair of jeans with his face illustrated, graffiti-style, on the right pants leg, Mac expounded on one taboo subject after another, from the benefits of snitching to his prowess in the bedroom.
"I ain't scared of you [expletive]!" became his signature tagline.
Many took note of the blue comic's performance, which later led to a bit part in 1992's "Mo' Money," and later an HBO Special, "Midnight Mac."
In 1995, Mac earned a spot in the cult-classic "Friday," and the film helped Mac break out. His portrayal of Pastor Clever was one of the film's highlights, however small it was. He followed it up with bit roles in other films, including "Booty Call," and "Def Jam's: How to Be a Player."
But he wanted more.
Mac sowed the seeds for his success on a cloudy day in North Carolina while taping the 2000 Spike Lee concert film, "The Original Kings of Comedy." There, on a rain-soaked basketball court, buttressed by co-stars Cedric the Entertainer, D.L. Hughley and Steve Harvey, Mac issued a challenge to Hollywood:
"Do I have a television show? Nah," Mac told the cameras. "Why? 'Cause you scared of me, Scared I'm a say something. You [expletive] right. Think I won't say something?!"
A year later, Mac got his chance. "The Bernie Mac Show" debuted on Fox in November 2001, drawing critical acclaim, numerous awards, including two Emmy nominations for Mac and, most important, high ratings. Its premiere episode drew 11.4 million viewers. The second episode, which immediately followed the first, drew 12.4 million.
For the next four years, Mac spoke to the American public--via a break in the fourth wall a la Dobie Gillis--with all the befuddlement of a 40-something taskmaster father lost in a sea of talk therapy and "timeouts." "Now, America," Mac would often begin before going into a rant about undisciplined children, cuddling parents or, one of his favorite topics, the differences between black and white people.
But in 2005, the show went off the air. Several reasons contributed to cancellation: The show's ratings had dropped, Mac was getting more lucrative offers from the movie studios. Before the 2000 concert film, Mac's biggest credit was a recurring role on "Moesha."
But Mac's health was also a factor. In 2004, he halted production on the show while recovering from exhaustion. A year later, he disclosed that he suffered from sarcoidosis, a rare autoimmune disease that causes inflammation in tissue, most often in the lungs.
In spite of that, his star had risen a great deal. In addition to the highly popular "Oceans" films, he co-starred with Ashton Kutcher in a reverse remake of "Guess Who's Coming to Dinner" in 2005.
Last spring, Mac said that he was hanging up his standup career, and instead would focus more on movies. In 2007, he co-starred in "Ocean's Thirteen," "Pride" and had a role in the blockbuster "Transformers."
Scheduled for release is "Soul Men," with Samuel L. Jackson, which will be released this year, and "Old Dogs," with Robin Williams, which is due next year.
Mac is survived by his wife Rhonda McCullough, their daughter, Je'Niece, a son-in-law and a granddaughter, Jasmine.
Spyder D, aka Duane Hughes, founder of Spydo Music, Inc. has inked a partnership deal with weRu Corp./iMAN Wireless that will combine content from his Spydo Mobile division and their wireless technology solutions.
"I am very excited about this deal as I am finally able to completely realize my vision that I have been building on for almost three years now", said Hughes from his College Park studio.
"This deal will finally enable us to get new artists music out to the public without relying on conventional airplay. The air waves are clogged with the same old same old. A lot of great artists are not getting their fair shot at shining. That is why we are launching "Five Minutes of Fame" and some other programs through this deal. Now the people can be heard". We will be starting the Chrissy Wallace Clothing social network for the NASCAR Truck Series drivers' fans to have a common place to socialize and check out some hot designer clothing as well, as we are expanding on her original designs, and we are about to perfect a Chrissy Wallace fragrance in conjunction with the line.
Music: Feature Kool DJ Red Alert: Welcomed to Atlanta Where golden era hip-hop stars spend their golden years
Published 04.30.08 By Ben Westhoff enlarge Courtesy DJ Red Alert/KISS FM STILL SPINNING:
Kool DJ Red Alert is one of many NY hip-hop legends who have relocated to the current rap capital of the world.
INFO Kool DJ Red Alert w/ Reign of Terror feat. Mr. Boz, Hylandaz feat. Big Juss, and DJs Dainja and Doc West.
$10. 9 p.m. Wed., April 30. Cenci Restaurant and Lounge. 1259 Glenwood Ave. 404-627-0533.
Atlanta already has an embarrassment of riches when it comes to current chart-topping rappers. From Young Jeezy to Yung Joc, Ludacris to Bow Wow, it seems that everyone who's anyone has a crib here, although some of them spend more time in their homes than others. (T.I., cough cough.) But nowadays even hip-hop legends from New York are planting their flags here. From '70s Bronx-born founding fathers to Brooklyn-bred golden-era stars from the late '80s and early '90s, Big Apple ex-pats have formed their own retirement community of sorts â although plenty of them are still quite active in the game. The list includes artists such as Nas and his wife Kelis, Posdnuos from De La Soul, producers Diamond D and J-Live, and MC Shan, who recently reunited with his legendary Juice Crew posse in Atlanta for the A3C Festival. Transplanted DJs and rappers famous for helping to kickstart the genre include members of the seminal group Whodini, Grandmaster Flash sidekick and Furious Five member Scorpio, Kurtis Blow's DJ Davy DMX, and old-school power couple Spyder D and Sparky D. Though the latter two are no longer an item, they have a daughter together and Sparky D serves as a Christian minister here. Lyricist Lounge veteran Punchline used to live on New York's Lower East Side, but now he has a house in Dallas, Ga. The MC, who currently reps the group eMC alongside rap legends Masta Ace and Wordsworth, says he came to Atlanta four years ago partly because everybody else was doing it. "There was nobody left in New York!" he says. "So, I came down here visiting, getting to know the city, and I ended up meeting a woman through a friend of mine. She said, 'Why don't you move down here?' And I ended up liking it." He says there are almost too many old school hip-hop luminaries in Atlanta to count, but one he encounters periodically is Wu-Tang Clan's Raekwon. "We get our hair cut at the same barber shop," he says, referring to a Cobb County shop called It's A Man's World. Rounding out this surely incomplete list of relocated legends is Kool DJ Red Alert, a longtime disc jockey on New York radio and former manager of Native Tongues acts A Tribe Called Quest, Jungle Brothers and Monie Love. Red's hip-hop bona fides as a performer are unparalleled. One of the first to spin hip-hop, the Bronx native kicked it with DJ Kool Herc and Coke La Rock in the late '70s, and served as Afrika Bambaataa's DJ for a time. Known for his crowd-pleasing mentality and easy humor on songs like Boogie Down Productions' ode to prophylactics, "Jimmy," and Big Daddy Kane's "Welfare," he's about as New York as they come. So what the hell is he doing here? "The name of the game is change," Red says by phone, regarding his and his wife's decision to move to Atlanta in August of '06. "You want to come to a new location, a better environment." Though they lived here part-time for the better part of the decade, Red cites their youngest son's graduation from high school as the impetus for the move, adding that a cleaner environment, lower cost of living and bounty of local talent helped, too. "I always knew about the music scene down here for a long, long time. I was playing early rap records from down here up in New York before everybody," he says, mentioning MC Shy D, Pastor Troy and early OutKast as examples. Red has maintained a hectic schedule since his arrival, hosting four separate radio shows. From the studio he had built in his East Point home he tapes an old school hip-hop show for Sirius satellite radio, as well as a program for a station on the Caribbean island of St. Martin. Every Friday he flies north for a gig spinning classic soul on New York's Kiss FM, and in Atlanta he can be heard Sunday nights on 102.5 Grown Folks Radio, broadcasting dance, funk and soul live from Flambeau Restaurant in Lithonia. "They come to mingle, they come to dance, they come to vibe, they come to reminisce [over] the sounds from back in the day," he says of the Flambeau crowd, adding that the Furious Five's Scorpio hosts the event. Now 51, Red has begun to receive lifetime achievement awards and other plaudits typical of an elder statesman. He was inducted into the Bronx Walk of Fame a few years ago, was named one of the 50 most influential people in music by Rolling Stone magazine, and has his own exhibit at Cleveland's Rock and Roll Hall of Fame. He even serves as an honorary U.N. ambassador for an organization called WAFUNIF (World Association of Former United Nations Internes and Fellows Inc.). This year marks his 25th anniversary as a DJ, and to commemorate he's planning a series of parties, celebrity basketball games and community service projects. While most are still in the planning stages, the first event is slated for New York in July, and others will be held in Atlanta. Though still well-known for managing Native Tongues acts such as Love and Tribe via his Red Alert Productions, he has passed day-to-day responsibilities of the company to his partners. But he's nonetheless doing his best to stay relevant in a young man's game. His MySpace page, for example, features a promotional photo of him surrounded by a bevy of scantily clad, ridiculously curvy young ladies, as well as bits of his DJ philosophy: "You have to learn how to break a new artist on record by working it in and out with familiar records," it says. "People are scared to fall. It's OK to fall. You must learn how to fall and be strong so you can come back. A DJ is like the pied piper." Now a grandfather of two, Red seems content with life in the Peach State, and the close proximity to many of his old partners in rhyme is an added bonus. "We often stay in contact with each other, we speak with each other, we vibe together, we do things together," he says of Diamond D, MC Shan, Spyder D and the rest. "We came up together â that's how we are." Punchline adds that the decision to move to Atlanta was a no-brainer. "The cost of living is way better in Atlanta, compared to what you're getting for your money in New York," he says. "As far as having a car and buying a house, it's just too much there. I love New York, I love my city, and I try to visit once or twice every month. But even as far as the weather, it's better here. And you don't have to worry about snow too much. If you want to get away from the city life, you come out here to the woods. It's a lot quieter." If people keep following in these revered rappers' and DJs' footsteps, however, it may not stay that way for long.
The Poundcake: iDoc
The Story of Ivan âDocâ Rodriguez
Back to Business
By Sterling Steel âCarmeloâ
Heâs worked with EPMD, Eric B & Rakim, KRS-1, LL Cool J and Alicia Keysâ¦He could be the Godfather of Sampling and inventor of hip hopâs beloved remix. So how come you havenât heard about him until now?
When it is all said and done, Ivan Doc Rodriguez will go down in the rock ânâ roll or hip hop hall of fame-or both-as one of musicâ greatest producer-remixer-sound engineers of all time; heâs the tri-fecta. Ivan Doc Rodriguez is the name behind some of the most honored classic pop-rap albums in music history. You know those albums, the kind of albums that are often listed in large publications as the top 100 or 50 albums of contemporary music: Eric B & Rakimâs Paid in Full, KRS-1 and Boogie Down Productionsâ Criminal Minded, By Any Means Necessary, LL Cool Jâs Grammy-nominated Mama Said Knock You Out and all five of EPMDâs classic albums. These are albums that are beyond worthy of mention. And Ivanâs list of credits does not stop there. Starting in the late 80âs and into the mid 90âs, Ivan worked with Redman, The Fugees, Biz Markie, MC Lyte, DAS-EFX and ED OG and The Bulldogs.
Itâs time to consider Ivan âDocâ Rodriguez in the discussion of hip hopâs greatest producer. Itâs that serious. Top five or bust. His roll call speaks for itself:
[Drawn from Discomusic.com]
* All five EPMD LP recordings which includes (5 gold / 1 platinum RIAA awards) Strictly Business, Unfinished Business, Business As Usual, Business Never Personal, and Back In Business.
* KRS-1 and Boogie Down Productions (2 gold RIAA awards) legendary LPs Criminal Minded and By All Means Necessary.
* Biz Markie (3 gold / 2 double platinum RIAA awards) I Need A Haircut, Just A Friend.
* Eric B and Rakimâs (1 gold / 1 platinum RIAA award) classic LP Paid In Full.
* Rodriguez produced several recording artists including rapâs number one lady with MC Lyteâs Poor Georgie single (that included portions of the disco classic âPoor Georgieâ), which marked the first time a solo female rap act achieved a gold record.
EPMD
[Rodriguez with EPMD, 1987.]
Ivan also engineered and co-produced the historic single, âSelf Destructionâ, marking the first time rival rap artists from the East and West coast collaborated for a project with a cause for peace in the violence and drug infested 1980s. These are just a few of his hallmark accomplishments.
For more detailed information on Ivanâs reign in the music industry check out his credits at allmusic.com, where his exact contributions to some of the biggest records in hip hop during the 80s and 90s are documented.
The fact of the matter is Ivan improvised methods in improvising push-button studio technology and helped to innovate a new sound for hip hop.
This is why heâs Doc.
Live from Hellâs Kitchen
Ivanâs story begins on 48th street between 9th & 10th Avenues in Manhattan; New York City. It was an infamous block of real estate during the fast moving 1970âs. Hellâs Kitchen is forever known as that tough Irish-Italian-Puerto Rican-black neighborhood along with the other tough neighborhoods of Manhattan like the Lower East Side, Washington Heights and Harlem. If the kitchen was tough, it also produced some of the biggest names in music; Alongside Ivan, thereâs Alicia Keyâs-who Ivan remembers seeing while growing up-and Lisa-Lisa from Cult Jamâ¦Yo Spanador holler at us!
Ivan grew up listening to Soul, Funk, R&B and Disco. Heâs a sound person by nature, a right brain-dominated technocrat loaded with creativity, but he also developed a solid knowledge of music from being a DJ.
His introduction to the profession might have began when his sister âaccidentallyâ snuck him into a nightclub as a teen, where a fascinated Ivan had the opportunity to soak up the sounds of NYC nightlife. It was the NYC club anthem/classic âLove is The Messageâ by MFSB that gave him the adrenaline rush which foreshadowed his future career events.
Ivan Doc Rodriguez
[Doc in his early days]
After numerous negotiations with his father regarding equipment, Ivan managed to pull off two turntables, plus the world famous Clubman mixer. After buying his equipment, the coveted DJ work arrived as demand for the man also known as âDee-Jay Docâ began. He started spinning at Manhattan clubs like Inferno and the Starship. Meanwhile, his equipment inventory expanded, which left him with no other option but to go completely mobile. It was the mobile DJ status that led him to becoming a background DJ for artists like Spyder-D, a very early 80s rap pioneer with the hit âSmurfies Danceâ. You know, it was that classic:
Head / shoulders / knees and toes / Smurf that body across the floor.
The smash hit of 1983 heard around the world.
Doc met Spyder through a neighborhood friend and aspiring rapper named Speedy. Speedy would often ask Ivan to come by his house to rap, since Doc had the equipment as well as the juice. At first, Ivan shrugged off Speedyâs idea since the whole rap-shouting thing turned him off with its non-stop talk over the mic that hi-jacked the whole DJ show. Regardless, after establishing mutual acquaintance, Speedy asked Ivan to come with him to Power Play studios in Queens. Upon arrival, Ivan was introduced to Spyder and the inevitable happened.
Ultramagnetic MC Ced Gee, Criminal Minded
[Doc with Ultramagnetic MC Ced Gee, with whom he co-produced Criminal Minded.]
Finally, after all the suspense of being thrown into the fire alive, the two-week gig was over. He was hired at the world famous Power Play Studios permanently.
From those sessions, he developed a quick reputation within the industry as the person to work with. He had a solid grasp of production and mixing, and a big studio presence, prerequisites for engineering throughout rapâs fertiles beginning, where its sound was evolving daily. Ivan would later join KRS-1 and BDP as the official DJ and uncredited producer following the fatal shooting of BDPâs chief beat king, Scott La Rock. Ivan would have a large hat to wear in the upcoming BDP albums.
Studio Alchemy 101: Sampling-Looping and The Remix
This is the part of Ivanâs story that gathers the most attention in his contribution to hip hop, but you have to rewind back to the years of 1983-84 to understand.
Following the Sugar Hill Gangâs âRappers Delightâ, rap exploded in 1983-84 with groups like Grandmaster Flash, Run-DMC, Kurtis Blow, Syder-D, Divine Sounds, Dr Jekyâll & Mr. Hyde, Treacherous 3, Fearless 4, Fresh 3 MCâs, Fat Boys and Whodini. That time period was great for hip hop. You had several powerful independent acts on independent labels flooding clubs, radio and mix shows with a constant barrage of hits. There was Pumpkin and The All-Stars on Profile Records with the hit of the summer in 1984 âKing of The Beatâ; Ultimate 3 MCâs- âWhat are we gonna do about itâ on Partytime Records. There was the unforgettable FREEZ with John Rocca -âI want it to be realâ and âIOUâ on Streetwise Records. The independents had the clout. DJs like Chuck Chill Out, Red Alert, Marley Marl, Mr. Magic and The Latin Rascals filled the air waves with master-mixes playing their rap and club hits. The sound was raw, authentic and real big. Powerful drums, keyboard melodies, and sing-along raps ruled the day with innovating producers: Arthur Bakerâs shakedown sound, Kurtis Blow, Spyder-D, Orange Krush, Davey-DMX Rod Hui and others creating the official stamp for the âNY Soundâ of rap music.
Roland TR-808
[The Roland TR-808.]
In 1985, rap slowed down to a trickle as the groups were riding on the hits and commercial success from their first albums and into their second. The Roland TR-808 arrived to bring in a new crisp and electronic sound. The group Mantronix literally created the new sound with the smash hitâs âFresh is the Wordâ, âBasslineâ and âWhat is itâ featuring MC Tee on Sleeping Bag records. Producer Curtis âMantronicâ of Mantronix drastically changed the sound using the 808 and kick drum sound as the industry standard in production. In fact, one can argue that the roots of Dirty South hip hop came from New Yorkâs adoption of the 808 heard in the early records of Luke and The 2 Live crew-Miami bass sound, New Orleans bounce and the slower paced 3-6 Mafia style from Memphis, Tennessee. If you listen to Just Iceâs âBack to the Old Schoolâ LP, any Mantronix LP, or T-La Rock, the evidence is there. The 808 played a major significance in the sound shift in NYC and giving birth to the south.
While history was taking place, Ivan was perfecting his skills as a DJ, practicing blends and mixes, listening for quarter notes, eighth notes and sixteenth notes, grooming himself to be the ultimate mixologist.
Destruction Productions
[Doc with Destruction Productions]
Fast forward to 1987, following Ivanâs production work for Criminal Minded and Paid in Full. As the uncredited producer, he experimented until he ultimately innovated new textures and sounds. Technology was limited and apt to get extra freaky. The 808 had already defined the 1985-86 era but Ivan found a way to expand on the range of its capabilities with sheer machine wizardry.
Being a technocrat, he found a way to re-create the kick drum sound by using the mixing console, sampling the sound and tuning the outcome of the sound to bass-lines in songs. This was problem solving by process of deduction and innovating new steps in production. He would also experiment heavily with KRS-1 in what he calls âpanningâ (as opposed to the normal studio use of the word), where he would bring excitement to a record by making it sound like a storm. Before Ivanâs panning idea, there werenât that many sources of sound to create effects like his âdouble bassâ sound.
However, the sound barrier was altered when the Criminal Minded LP dropped. Instantly, you could tell the difference in sound from the earlier hip hop records of the 80âs compared to Ivanâs influence in EPMDâs, KRS-1âs and Eric B and Rakimâs material. Clearly, the new era of rap had begun.
Jive Records release party, KRS-1, Boogie Down Productions
[Jive records release party with KRS-1, BDP and the Doc.]
Ivan also developed his own techniques for looping and sampling, a technology that, at the time, was not perfect. Ivan worked around the limitations. He would record a sample of a sound then loop the tape on which the sound was recorded around the tape machine heads, holding the extra slack from the tape of an extended path from the machine with a pencil! Heâd also break the â10-second sample ruleâ which back then, allowed 10 seconds for recordings. Before Ivan figured out how the mixing console automation could improve this set-back, the standard industry â10 second wayâ required a lengthy process for sampling. Ivan eliminated most of the steps, and the results are what you hear on Paid in Full, EPMDâs five LPâs, and BDPâs first three albums. For instance, Ivan would play a part from a record at a lower speed and then sample the part at a higher speed using a lower sounding key on a keyboard. Then heâd play it back at the correct speed, thereby extending the sample from one second to three seconds.
On the KRS-1 Boogie Down Productions single âStop The Violenceâ, Ivan used his engineering skills by reversing the DJ scratch. He flipped the recording tape upside down on the tape machine and rewound it 40 seconds, playing the groove on an open track. This was the first time a reverse scratch was used. It worked brilliantly.
[Doc, the original hitman.]
Another regular scenario: MC Lyte and EPMD would bring pre-recorded grooves and tracks to the studio on cassette tape. Ivan would run the hissy originals over six different channels on the mixing board, removing the hiss and filtering the sound to give his artists something clean to work with.
The Remix
The remix is probably the most overstated, overrated, and overused concept in hip hop. Much has been said of the remix while many have claimed to have exclusive rights over it, invented it, bought it back to life; you name the philosophy of the month. The reality is that the remix has been around longer than everyone who lays claim to it. Try 1982 to start. A man by the name of Shep Pettibone, who has done remix work for 80âs icons like Madonna, would add his touch to original versions of a 12â single by making a special club mix for DJs when they would play at clubs. World famous DJs like the Latin Rascals would edit and chop their mixes every weekend on WRKS-FM NYC. Technically, the Rascals were chopping and screwing their mixes back in 1984 before Houstonâs DJ Screw introduced it to Southern rap and hip hop in general.
At the time, the Rascals style was known as âprocessed and edited mixesâ in which they overdubbed instrumentals into their mixes. A Latin Rascal mix on cassette was like gold. Either you had to steal a copy or stay up late and record it live on the radio. You can still hear several âOfficialâ Latin Rascal mixes at deephousepage.com today.
Special K and Teddy Ted
[Doc with early 80s DJs Special K and Teddy Ted]
Ivan should be credited as one of the first people to re-introduce the remix to mainstream hip hop in 1988 on the hit single âSeriousâ featuring Philadelphia rapper Steady-B and KRS-1. DJ Chuck Chillout played the single live for the first time the day after Christmas on KISS-FM . I was listening in at the time. After playing it, the phone lines lit up with callers requesting the recordâs title. In the following weeks, the single became the most requested song on the east coast, including major play on DJ Red Alerts show, and on Yo-MTV rapâs Top Video 10 countdown:
It was hip hopâs first breakout remix on a wider mainstream scale. The single begins with KRS-1 shouting âDJ Doc [Ivan] break it down like this,â followed by a sinister horror movie-like synthesized keyboard before the song breaks in with a massive bass drum heavy beat, a funk filled bass groove and cowbells. Maybe because it was such a novelty, KRS-1 breaks into the track repeatedly shouting âthis is a remix,â and âbecause this is a remix, we will now take the time to remix it.â It was a 360° improvement from the original âSeriousâ found on Steady Bâs Let The Hustlers Play.
The Interview
Sterling Steel: While doing some research, I noticed something very disturbing. I saw that it said you were the first Latino engineer mixer. I have a problem with this because when itâs all said and done you are a hip hop P-I-O-N-E-E-R! We are talking about some Rolling Stone Magazine classic-rock-albums-of-all-time status. I have a problem with all this first stuff and not giving you due respect by these so-called pseudo-journalists and so called hip hop historians. Letâs keep these Jim Crow laws out of hip hop and stop the segregation. Sorry, but I had to bark on that. How do you feel about that?
Ivan Rodriguez: I have no control over the way those that âwriteâ make their decisions. I learned to not let that type of thing roll off my shouler. Those that âknowâ know who I really am and what I mean to this genre of music.
[Still a legend, 2008]
SS: Do you think the media does a poor job reporting hip hop?
IR: Iâm just too low profile for most to notice me. I have never been caught up in the hype, I never wore big chains or smoked big bluts or committed big crimes, I simply make legendary records and go home.
SS: Where about are you from in Hell Kitchen? Did you ever run into Alicia Keys?
IR: The heart of Hellâs Kitchen, 48th Street between 9th and 10th avenues. Yes I did see Alicia, she lived in the Manhattan Plaza Buildings on west 43rd street. She also took part in a session at my private facility Must Rock Digital.
SS:When you were coming up as a DJ, I read about some kid named Speedy from the neighborhood who used to come by your crib who wanted to rap.
IR: He was (and continues to be) a great friend. He was knee deep into the âThrow Ya Hands In The Airâ genre of rap. He sounded good at that. Really good.
SS: At that time, you were DJâing. What were the rap songs that you were feeling?
IR: Very early stuff on Enjoy Records, Tuff City and Sugarhill Records.
SS: Did you meet Spyder-D before or after his hit âSmurfies Danceâ?
IR: After. Iâm sure he was impressed with my dedication to education and my very hard work ethic.
SS: You picked up the whole essence of the craft very fast considering you were asked to step in and work on the Eric B & Rakim Paid In Full album when the other engineer was sick. Did The Eric B camp have doubts since you were asked to substitute?
IR: All I can say to you is that Rakim and I got along very, very well. Really, that was all that mattered to me. I learned fast because I wanted to be great. So, I kept my ears open and my mouth shut.
SS: What was a typical day like working on an Eric B. & Rakim classic album?
IR: As far as in the studio goes, it was sampling in a primitive Publison infernal machine, then adding percussion and creating the necessary flow, then letting the two second marching loop as the incredible Rakim would sit there and write a masterpiece. He would then proceed to go into the vocal booth, turn his back to the engineer and recite magic into the mic. Thatâs what a typical day was like.
SS: You worked on all five EPMD albums and received awards for that among other albums. What did EPMD think of you?
IR: I believe that I was an integral part of the EPMD hit machine. We have great respect for each other and iâm very honored to have been a part of that whole EPMD Legacy.
SS: You also worked with the BIZ on the double platinum âJust a Friendâ single⦠Man how did you pull that off?
IR: Hmmm⦠thatâs trade secrets! I recorded massive hits for Biz Markie as well as for the rest of his camp⦠like âKid Capri, Grand Daddy I.U., Diamond Shell. I designed and built a full service (early digital) studio in New Jersey for him as well.
SS: Okay. Everybody thinks P. Diddy âinvented the remix,â like his Bad-Boy compilation says, but the first time I heard someone on record talking about a remix was that KRS-1 w/ Steady B single âSeriousâ. I must have jumped out of my seat when I heard those horns and that synthesizer. That cut sounded M-E-A-N! The phone lines were ringing when DJ Chuck Chillout played it on KISS-FM. What made you decide to do that remix? And what do you think about all this remix stuff since you set it off first in 1988!
IR: The remix is something Iâve been doing before folks even knew what the word meant. I was creating remixes with two Gerrard turntables, a Clubman mixer and an Aiwa stereo cassette deck then taking the cassette to Sunshine Sound in New York and having those remixes recorded onto acetates before anyone had a CLUE as to what a remix was⦠Iâm not impressed!
SS: What did you do for the MC Lyte track âCappuccinoâ and how did MC Lyte hear of you?
IR:MC Lyte knew of me through the Power Play studios grapevine, those that knew hits knew to hire âDocâ Rodriguez at Power Play. I remixed that and several other songs for Lyte as well as co-writing and producing her biggest commercial success to date âPoor Georgieâ.
Lord Shafiq
[Doc and Lord Shafiq, 1986]
SS: Okay DOC we going to make this simple for the readers⦠LOL. Explain briefly how you got to work with the following below, what you did exactly and how they heard of you:
LL Cool J
IR: Through EPMD then Marley called me to work on the âMamaâ LP.
SS: The Fugees
IR: Their management (out of New Jersey) called my office and asked if I could work on their first LP out of The House of Music in West Orange, NJ. I agreed, they sent a car for me and my staff daily until I finished the project. I found Pras to be really good people.
SS: Redman
IR: EPMD Camp
SS: Das Efx
IR: EPMD Camp
SS: Are you known more for your sound engineer reputation or as a record producer? Whatâs the difference?
IR: It all depends on who you ask. I am very well versed on both stages. Many early projects did not carry the proper credits for me and made quite A few people very famous for being so-called producers. The difference between the two is huge.
SS: I guess you were on The Rush Producers management roster. How did you get involved with Rush? What did Russell Simmons say about your work?
IR: They had me sit in their office, and stated that they were âwell awareâ of what I actually did for an artist (versus what people said that I âonlyâ did) and how important I was to the genre. then, They signed me.
SS: I read you used a Bozak mixer, correct? Was that the inspiration for one of EPMD songs LOL.
IR: No it was not. When I used a Bozak brand mixer it was to blend the audio from two discrete sources (two analog turntables) whereas they used the word âBozakâ to refer to their crotch!
SS: What was the pay like working on those albums and DJâing for Spyder D?
IR: Spyder was ALWAYS honest and fair with me. I thank him forever for were there not him there would not be me.
SS: You are celebrating your 20th year in the industry⦠any parties for you yet?
La Bruja
[Doc with La Bruja]
IR: Too busy working on the new La Bruja LP, For Witch it Stands and I have not planned any parties.
SS: How did you get to work with the Latin Rap Conference?
IR: I went to Los Angeles to share some of my experience in the music industry with my fellow musicians. I made the contact through MySpace. Big shouts to the folks at the LRC and mi gente from the west coast!
SS: Whatâs it like working with Latin artists from the west since the east is entirely different?
IR: Very interesting, but at the end of the day itâs about making great music that weâll be proud of 20 years down the road!
SS: Any projects youâre working on now? What about that Must Rock facility?
IR: Busy working on the new La Bruja LP, For Witch it Stands. Mustrock Digital, NY is in full swing for 2008 with fully digital compliments. I am very proud of it and its capabilities.
SS: I read that you brought a whole new sound to rap. Explain.
IR: Biz Markie referred to it as the âdouble bass sound.â I make thick and juicy records, that simple. My records have real balls while still filling the audio spectrum with expansive flavor! Thatâs why Iâm still number one!
SS: Are you the godfather of sampling and looping? I read about your techniques. Thatâs some real Harry Potter type stuff?
IR: I pioneered many styles in sampling, I will let time make those observations.
SS: I got to ask this question because I know itâs coming soon. Thereâll be idiots whoâll say: yeah, DJ Doc was behind those classic albums, but did he make beats? Is he like a Marley Marl or DJ Scratch or a whoever? All DJ Doc did was sit in the studio and play with the sound board.
IR: Some of the greatest records in the history of this industry that carry my name as engineer were actually produced BY ME. Being new to the game I did what I did to survive and to feed my family so therefore there is a lack of credits. I can make âbeatsâ with my eyes closed and they will never be flukes because I actually know how to make a record and not just loop someone elseâs ideas!
SS: How much of this producing stuff is overrated? You constantly hear the overnight experts saying so and so did the beats but only co-produced it⦠etc. PLEASE add something to stop these senseless arguments. Anything. LOL.
IR: Making âbeatsâ is not considered producing a composition. Nuff Said!
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8 Responses to âThe Poundcake: iDoc
The Story of Ivan âDocâ Rodriguezâ
1. Cee-Vee Says:
April 23rd, 2008 at 6:34 pm
Man..what a ill story. The part where he talked about panning is cool. i want to know more about this guy since the OTHER mags dont write about guys like this in Rap-Producer history. I will defenitely let my freinds know of this article. This is real good history. and to think for someone who worked with so many well-known people doesnât get the credit more often..Shame on Rap! However Sterling Steel good look!!!!
2. G-Bo The Pro Says:
April 25th, 2008 at 8:08 am
Yo. Everything realâ¦a dope read. It brings to mind some of the other latinos (more specifically Puerto Ricans) that donât get the due credit for their contributions to hip-hop music. Mentioned in the piece were the Latin Rascals who I would LOVE to hear from but even before them was the Godfather of them allâ¦John Jellybean Benitez. A lot of dudes sleep but if you know records like I do you will see that he was alongside Russell Simmons on a LOT of the early hip-hop records that were put out in the early 80âs. Itâs funny but if you look at the history most of the early latin cats in the game wound up evolving in a different direction (dance, pop, house, etc.). Hmmâ¦I wonder why.
3. Chris "Grilla Dirt" Irish Says:
April 25th, 2008 at 8:31 am
1989 was the first time I got the pleasure of meeting the true doctor of Hip Hop Engineering/production. I was 19 working as a intern at Power Play Studios in Queens, NY. I remember it like yesterday. The session EPMD, the song,âyou had to much to drinkâ. I remember just sitting and watching him as he worked his magic. I just felt lucky that I wasnt cleaning a toilet or out sweeping the street outside the studio. In those days it was hard to just get to sit in on a big money project like EPMD. Then all of the sudden he turns to me and ask if I want to run the tape machine while he lays the tracks down for the song. Of course iâm scared out of my mind that I would screw the whole session up, hit the wrong button and catch a beat down. From that day on I knew what I wanted to do for the rest of my life. Since then we have become life long friends but It would be better to say family. He gave me the opportunity to work under him for many years and opened doors for me to work with the greatest MCâs in history. I âm a better man, father and audio engineer because of him. He is a great Engineer, Producer and friend. Yoâ Doc Break it down like this!!! one
4. David Says:
April 25th, 2008 at 2:41 pm
Really interesting piece. I never knew about DJ Doc even though I obviously saw his name pop up on all kinds of credits.
5. Werner von Wallenrod Says:
April 26th, 2008 at 10:06 am
Great piece - definitely an overlooked, important figure in hip-hop; and your article & interview did him justice.
Thanks!
6. Rene a Campos Says:
April 27th, 2008 at 11:42 am
I grew up in the same neighbor hood as a matter of fat I know DOC, and he is even better than they say he is, as a DJ in his prime and even now. There was no DJ that could do what he was doing live with two or three turn tables @ the mix. Always a remix and live he is just very modest. I think he will do even better things in the music industry
7. Olski Says:
April 28th, 2008 at 2:05 pm
DJ Doc heâs down with us! The Chosen Ones LP was huge amongst hardcore heads over here in Germany!
8. Rick Ski Says:
April 29th, 2008 at 6:05 pm
DJ Doc, a true Hip Hop Pioneer. Like Olski mentioned before, you really got Fans in Germany.
9. Spyder D Says: Your comment is awaiting moderation.
May 2nd, 2008 at 2:16 am
Do you know how many cats would have ben=en crazy wack had I not help get Doc put on at Power Play Studios? Oh my God! Actually, Davy DMX first brought me to Power Play Studios when it was an eight track rock demo studio! Alan Scott Plotkin and Julian Herzfeld were the top dogs then. I kept trying to convince the owner Tony Arfi, that rap was the next wave and he better convert the studio and get some Hip-Hop oriented engineers. He eventually did so, and when I introduced Doc, he became the number one Hip-Hop engineer in the business. No disrespect to anyone else. I also brought in Elai Tubo (Paid In Full engineer). I canât even begin to tell you how many others,(artists included)that I brought to Power Play Studios. But this is Docâs story. I can save my story for another day. Congrats to Doc for finally getting some credit for his historic contribution to the game. Yo Chris Irish, what up Yo?
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Not a diss track: S.O.U.L. Purpose, âLesson Aâ
The Poundcake: iDoc The Story of Ivan âDocâ Rodriguez
A special commemorative version of the racing Jacket inspired and endorsed by Chrissy Wallace has been created to commemorate the NASCAR pro debut of Chrissy Wallace this past March 29th at Martinsville, Va.
A gold medallion is also being fashioned for a limited edition run as well.
Chrissy Wallace shines in NASCAR debut at Martinsville
Schwarb
By John Schwarb
Special to ESPN.com
(Archive)
Updated: April 10, 2008, 3:28 PM ET
Chrissy Wallace
AP Photo/Mark Humphrey
Chrissy Wallace (03) wanted a top-20 finish and a race truck in one piece. Mission accomplished.
The minutiae of NASCAR racing filled Mike Wallace's mind as the Kroger 250 at Martinsville Speedway began with his 19-year-old daughter Chrissy behind the wheel.
Chrissy Wallace shined every step of the way up the ladder to this, her NASCAR debut, but the rules of the road were about to change from the likes of late-model stocks.
"There were quite a few things early in the race that we had not even discussed thinking about," Mike Wallace said. "As simple as when the caution comes out, late models can pull up to the pace car and pit, [but] in the truck series you can't do that. When the green flag comes out [in late models] you can pass left and right; in trucks you can only pass on the right.
"She had a great opportunity. I just didn't want anything to go wrong. That's where the father stepped forward, hoping inside that everything would go fine."
As the race began, the nervous dad had his role down pat.
As it turned out, he had nothing to be nervous about.
Chrissy Wallace
Tony Stewart has taken Chrissy Wallace -- and her crew chief Mike Abner -- under his wing.
Chrissy Wallace not only avoided first-timer mistakes, she made hardly any mistakes at all in a lead-lap 18th-place finish for Germain Racing. She ran well in traffic, which on that day was to say she ran well for all 253 laps. She went down one lap early while on pit road when a caution ended, but was able to get the free pass.
Most of all, she didn't act the part of the wide-eyed newcomer.
"Martinsville is known for wrecks," she said. "I said I wanted to finish on the lead lap, in the top 20 and bring the truck home in one piece.
"It got easier, the more laps I was making, the better I felt in the truck. There was no part really intimidating to me at all."
If she wasn't intimidated by a two-time Cup champion giving her advice, it would make sense that race day came easy. Joe Gibbs Racing and fellow Toyota driver Tony Stewart, a longtime friend of Mike Wallace, has taken an interest in Chrissy's career for four years, helping with sponsorship. At Martinsville he was in a more prominent role, offering advice in practice, prerace and sitting atop her pit box during the race.
"He's really enthusiastic. There were times that I'd get down and Tony would be the one saying 'Chrissy, it's your first race, you can't get down on yourself,'" Wallace said. "He was pretty much motivating me, keeping me up the whole time."
Stewart left the track more convinced than anyone of Chrissy's mettle, so much that he thinks Mansfield may not be the best place for her next Craftsman Truck start, as was first announced.
"Tony and I flew home from Texas [last weekend], [and] he said 'Chrissy's proven to everybody that she can drive -- I'd like to be involved in her future, where she's going to race,'" Mike Wallace said. "He asked if he could give his input on where she goes next and how she goes about doing it, and that [if] Mansfield [is] absolutely the best, or is it just another racetrack? It has a pretty strong history of people coming back with tore-up trucks. Does she need to do that?"
Mike said Chrissy will run seven to eight more races this year between the truck and ARCA series for Germain, with the next truck start possibly in June at the Milwaukee Mile. The rest of the time she'll run late models all over, continuing to hone the skills that led to five wins at famed Hickory (N.C.) Motor Speedway, a track that had never seen a female winner in over a half-century of existence.
The ultimate goal is a full-time truck ride next year, which Mike Wallace said the Germain family is committed to providing if Chrissy's development and the dollars are ready. If she is, her father will be atop the spotter's stand as much as possible, just like two weeks ago.
"C'mon, stay with them Chris, you've gotta stay with them, you're the lucky dog if the caution comes out."
"Dad, I'm trying. He about spun and checked up."
"Just letting you know, honey. Just keep digging."
"That was one thing that I love. If I could have my dad at every race spotting for me, I really would," Chrissy said. "But I had him spot for me in late model, he was never like that. He was more nervous than anybody, way more nervous."
She'll understand how her dad felt someday if it's her young phenom kid behind the wheel.
John Schwarb is a motorsports contributor to ESPN.com. He can be reached at johnschwarb@yahoo.com.
Chrissy Wallace wonât soon forget her NASCAR Craftsman Truck Series debut. At the wheel of the locally owned Germain Racingâs No. 03 Toyota Tundra, the 19-year-old daughter of NASCAR journeyman Mike Wallace did more than just finish the Kroger 250 at Martinsville, Va. She started 35th and hustled her Geico machine to an 18th-place finish, six spots behind Germain team leader Todd Bodine, who drove his No. 30 Lumber Liquidators Tundra well enough to hold onto his second-place spot in the points. Points leader Kyle Busch has a 35-point advantage over Bodine, who is 30 ahead of third-place Ron Hornaday Jr. As for Chrissy Wallace, she debuted at the same track where her father ran his first NASCAR event and she made the most of the opportunity. âI wanted a top-20 finish for the Geico/Mobil Delvac Tundra and I got it,â she said. âI wanted to prove that I didnât have to tear a truck apart to have a strong finish. I think it proved a lot, to a lot of people, that we finished the race, finished in the top 20 and had the truck in one piece.â Wallace had the luxury of having her father on the spotterâs stand since the NASCAR Nationwide Series was idle last weekend. He drives Germainâs No. 7 Geico Camry in that series and will be at the Texas Motor Speedway for Saturdayâs race. Chrissy Wallace is lined up to run a development schedule with Germain Racing. The team is looking for sponsorship for the other races, which could include four more appearances in the Truck Series and five ARCA RE/MAX Series races. Tentatively, the next NASCAR Craftsman Truck Series race for Wallace is in May at Mansfield Motorsports Park in Mansfield, Ohio. Meanwhile, Germainâs Justin Marks ended up 20th in his No. 9 Construct Corps/Crocs Tundra at Martinsville. Dennis Setzer survived a green-white-checker finish to claim victory. The truck teams donât race again until April 26, when they will visit the Kansas Speedway for the OâReilly Auto Parts 250.
Chrissy Wallace made her NASCAR Craftsman Truck Series debut Saturday in the Kroger 250 at Martinsville Speedway, following in her fatherâs footsteps. Mike Wallace, Chrissyâs father who drives the GEICO Camry for Germain Racing, made his NASCAR career debut at Martinsville in 1990. Chrissy Wallace started 35th and finished 18th, on the lead lap, after running as high as 11th during the 250-lap event. âI wanted a top-20 finish for the GEICO/Mobil Delvac Tundra and I got it,â said Wallace. âI wanted to prove that I didnât have to tear a truck apart to have a strong finish. I think it proved a lot, to a lot of people, that we finished the race, finished in the top-20 and had the truck in one piece. I canât wait for our next race, and look forward to building a sponsorship package around this 03 Tundra program.â Wallace had her father, Mike, on the spotter stand for her debut. âIt was good to have my Dad up there helping me today. There were a couple times I messed up, and my dad helped me out,â said Wallace. Wallace received tips from her father, also from uncle Kenny Wallace via text message to Mike, from crew chief Mike Abner and from family friend Tony Stewart who stood atop the pit box throughout most of the Kroger 250. She learned a lot in her 250-lap debut. âThe biggest thing I needed to learn was pit stops,â said Wallace. âI also learned a ton about Martinsville Speedway and I learned a lot about how the other competitors race in the Truck Series. It was a good day for the 03 GEICO/Mobile Delvac Tundra team.â Wallace is slated to run a development schedule with Germain Racing. The team is looking for sponsorship for the other races, which could include four more appearances in the Truck Series and five ARCA RE/MAX Series races. Tentatively, the next NASCAR Craftsman Truck Series race for Wallace is in May at Mansfield Motorsports Park, Mansfield, Ohio. For more information on becoming a Germain Racing sponsor, visit www.germainracing.com.
While most 19-year-olds are acclimating to college life, Chrissy Wallace is mapping out her own course work. Think of it as Racer 101: How to rise through the ranks of motorsports. Although Wallace's greatest test to date will come on Wednesday with Germain Racing at Martinsville Speedway, the extracurricular activities that many scholar athletes use to chart career paths aren't much different than Wallace's. She started playing softball at five and played at the AAU, USSSA and varsity high school level. She added rec hoops in middle school and competed on her high school basketball team. She was offered "three different full-ride scholarships to college," but her true passion â racing â superseded all stick and ball aspirations. With every step up the racer ranks â from Bandoleros then Legends and finally to Late Model Stocks â came added responsibility and a greater depth of knowledge for Wallace. Networking was a key component, but in racing, the internships were a lot tougher to come by. First, a driver needs a strong mentor. Wallace has a slew of choices stemming from her journeyman racer father Mike, her Cup-racing uncles Rusty (a former champion) and Kenny, and grandfather Russ, who won many track championships in the clan's home state of Missouri. But she has always been a daddy's girl. "Growing up, I remember watching my dad race at short tracks and just wanting to cheer for him and walk around with him," Wallace said. "We still have pictures from my mom holding me on top of the race hauler and me sleeping on the trailer during his race. There are so many memories from pictures that we have of me and my dad like sitting in his car, going around the track with him in the truck before the race, praying together before the race and always saying I love you, good luck and giving him a kiss. "No matter where my dad finished, I was always proud of him and always wanted to be like him the more and more I raced. He is a really good driver but he has never gotten the chances like his other brothers have." Secondly, a driver needs funding. Most NASCAR kids' parents can underwrite the early motorsports stages like go-karts, Bandoleros and Legends cars without flinching. But once a budding racer graduates to the more-competitive ranks, the cost of racing rises exponentially. Wallace's talent caught the eye of several scouts, including two-time Cup champ Tony Stewart. And that was before she became the first woman in the 57-year history of Hickory (N.C.) Motor Speedway to win a feature. Overall, she won four times in 17 races and finished third in the Late Model point standings. "Smoke decided to come aboard on the late-model program because of a general conversation about talking about sponsorship for my Legend cars and it just started from there," Wallace said. "He has helped out on the Late Model, Thunder Roadster and Legend car. If it wasn't for Tony, there is no telling what or where I would be racing. He has helped me up a lot and I look up to him for that. "People think Tony is a bad guy with a bad personality, but honestly he is one of the best drivers, best sponsors and a person you want to have on your side. He is always texting me or telling me congrats or I'm texting him wishing him good luck or congrats. But also he has become a big part of our family. He is always hanging out with us and talking to us when he can." There's no other Sprint Cup driver that does more for grassroots racing than Smoke. Whether it's as a team or track owner, Stewart's support is widespread. For the last four years, the two-time Cup champ has sponsored her car and will test Wallace on March 25-26 in a Midget Car at Southern National Speedway in Kinley, N.C. "Mike and I have been good friends for a long time, and as Chrissy's career has grown, we thought it would be a good idea to at least get her in a (USAC) Midget and let her get some time in something else other than a stock car, just to help her become more versatile in the way she drives," Stewart said. "The team is going to be testing in North Carolina, so we thought it would be a great opportunity at the beginning of the season while we're down there to get her some laps in the car." Despite all the early support Wallace has received, a driver needs that big break. For Wallace, in addition to Stewart underwriting a portion of her racing and sponsorship from Smith Transport and Lucas Oil, Germain Racing, who fields a Nationwide Car for Mike Wallace and a Craftsman Truck for former series' champion Tood Bodine, will test the younger Wallace at Martinsville Speedway on Wednesday in anticipation of her first career CTS start on March 29. "My dad was talking to Germain about a Nationwide deal," Wallace said. "They were big about trying to get a development team and saw that it was a good opportunity to have a female and a father/daughter on the same team. "I am running for Toyota and they have agreed to do the five truck races and five ARCA races and possibly a full ride for Toyota and Germain for 2009." The test follows a successful practice Wallace had last year with Germain Caraway (Asheboro, N.C.) Speedway. Her father Mike, knows firsthand the caliber of Germain Racing's equipment. Although his daughter has had other offers, the confidence Wallace has in the cars he drives was one the main reasons he suggested she accept this opportunity. Despite being her father, he's not surprised that Chrissy's career has advanced to the next step. "It went very well and they were impressed with how she did â and if the (Martinsville) test goes well and she has the speed that she needs they are going to go back and enter her in the truck race on March 29," Mike Wallace said. "All of us involved â myself, the Germain family, (GM) Mike Hillman â the one uniqueness my daughter Chrissy has is that she is a young female. "If she can run competitively with all the guys, like she does now and has for the last eight years now, then it's a great deal for the organization in regards to sponsorship opportunities and exposure for the organization. Bob (Germaine) and the team have been good enough to say, 'Let's go make something happen.' " Like any Wallace, Chrissie's competitive nature and ability will help carry her through this next exercise. Wallace feels what differentiates her from other females that have previously attempted this track is the quality of her equipment, her patience in gaining experience and shadowing her father long enough to understand the complexities of the sport and the gravity of this moment and the importance of testing. "We will be doing a lot of testing so I have more seat time and the team is not rushing me into any races that I don't want to run," Wallace said. "I have learned so much from Dad about the ups and downs of racing, I realize that you only got one shot and if you mess that up then you may never get another one. "My goal is to end up in Sprint Cup and become the first successful female driver who wins rookie of the year and the championship. Honestly, if it wasn't for my mom (Carla) and my dad, I would have never had the chance to race or have the faith in myself like I do. My dad has always came to races when he could, but my mom was at every race I have ran. She has been my biggest fan. Luckily, she was there for my every win in my late-model race this year and that means a lot because that's a memory I can cherish." Chrissy is grateful that she's been given something that many local short-track racers only dream about â a chance. Without the help of her extended support system â and the double-A audition at Martinsville on Wednesday â she would have never had the prospect to showcase her talent. "If (it) wasn't for all my family, friends, fans, sponsors and the Germain race team, I would have never got the chance to prove myself to everyone and make a name for myself," Wallace said. "I know no one is expecting me to go out there and win at Martinsville, but I am expecting myself to go out there and make the race, finish in the top 20 and be on the lead lap at the end of the race. That is my goal for my first race." At some point in her career, Wallace would love to be part of a father/daughter race team. If all goes well at the test on Wednesday and Wallace is cleared to make her Craftsman Truck debut, will her father try to track down a ride to spice up the field? Probably not, at least this time. "There will be sometime in 2008, I don't know where it will be or if it'll be in a truck or an ARCA car, we will race against each other," Mike Wallace said. "Hopefully, we'll all wrap up through Germain Racing somehow, I love racing with these guys and this program. I really don't want to get another ride somewhere to compete against her, but I do want to compete against her. "We have raced together on one other occasion. We raced a Legends car and a Thunder Roadster on the same night. She beat me in the heat race. Out of 20 cars, I think she was third and I was fifth. Then in the Thunder Roadsters, I beat her in the feature by one spot. "There's a lot of excitement around this and I think it'll be fun for everybody involved. There's definitely not going to be a rivalry, but when I race against her I want to beat her. I can't let her outrun her dad."
Latest Wallace hoping to break female stereotypes
By Raygan Swan, NASCAR.COM
March 11, 2008
11:12 AM EDT
As a teenager with braces on her teeth and rubber bands tying back her blonde hair, Chrissy Wallace told all the boys she one day would be a NASCAR driver.
One day is now.
The 20-year-old Wallace, a daughter and niece in the popular Wallace family of racers, is set to make her NASCAR debut March 29 in the Craftsman Truck Series Kroger 250 at Martinsville Speedway.
Autostock
Mike Wallace watches out for his daugher from the spotter's stand.
Tapped to drive for a championship-caliber team, Wallace said she will drive five Truck races and five ARCA races for Germain Racing, which also fields trucks for drivers Todd Bodine and Justin Marks.
On top of that, Wallace will continue racing Late Model events around the Carolina tracks where she has found Victory Lane four times and was named most popular driver at Hickory Speedway, making her the first female to win in a Late Model stock car at the track in its 57-year history.
Preparing to leave this week for the upcoming Truck test at Martinsville, Wallace said talks to join the Germain family and Toyota began at the end of last season. However, her young-but-tough heart was guarded.
Wallace knows she is competing in a male-dominated sport where in recent years there has been public opposition to females racing on the track. Not only that, she's grown accustomed to empty promises; opportunities have been served only to be taken away days later.
"But I knew with the Germain family, they stick by their word ... if they say they are going to do something they do it," Wallace said.
More than that, she trusts the same family the employees her father, Nationwide Series driver Mike Wallace, who pilots the No. 7 Camry. The venture will make Mike and Chrissy the first father-daughter duo racing for the same team in NASCAR.
"My dad is my spotter for my races and he will spot for me in Martinsville so I'm extremely excited, he's like my coach and my dad," Wallace said. "We are close because of racing and we can pretty much talk about anything."
The two don't go dress shopping, but nevertheless, the bond is strong.
Wallace has proven she can produce results in smaller series; she's won at least 40 features in Legends cars.
Now it is time for her to produce results in NASCAR and poor equipment won't be an excuse she can point to if the results do not come. Toyota, with Germain Racing, is funding Wallace as part of the manufacturer's diversity initiative.
The diversity initiative is not to be confused with Drive for Diversity, a program in which NASCAR provides financial assistance to minorities for on-track endeavors. Wallace said she was not offered support from the program.
Nevertheless, she is more than pleased to carry the torch for females in NASCAR, a sport that in 60 years has failed to produce a successful female in its premier series. She said it is because traditional, and even archaic, mentalities are hard to reverse.
"I feel more accepted especially here lately, because I proved my point by winning," she said. "But guys have it stuck in their heads that females don't need to be out here. The phrase 'never a successful female' is stuck in owners minds and some have said we don't run well and look like idiots, but if you don't take the chance you'll never know."
Her chance to prove the "guys" wrong is here and Wallace knows the chance is a good one.
From Martinsville, Wallace will look to be approved to run on larger tracks and eventually superspeedways.
Meanwhile, she'll concentrate on merely being a Wallace; spending time at home with her family while at the same time always being ready to go racing.
The End
It's not too often that a certified legend leaves a comment on this site, so today we're going to highlight one that we received from producer Ivan "DJ Doc" Rodriguez. Over the holidays, Doc stopped by to shed some light on the history behind Elf Elf and DokIm's My Christmas Bells, a track we featured last week.
For those of you who aren't familiar with the name, Doc was one of the first Hispanic producers to find success in hip hop (and disco), working on classics like Redman's Whut? Thee Album, Rakim's Paid In Full, BDP's Criminal Minded and Biz Markie's Just a Friend. Last week, Doc was kind enough to respond to my request for more information on the Elf Elf and DokIm track that we posted. He revealed a fact that I was unaware of: Doc was the MC on the song, giving voice to lyrics written by Spyder D.
Here's what Doc had to say:
"Lets Set It Straight For The Record. 20 years Ago, On A Cold October Evening In (1987) Power Play Studios Producer/Profile Records Recording Artist [and current owner of the CBA franchise Atlanta Krunk] Spyder D Wrote A Set Of Humorous Lyrics And Asked That I Produce The Song. Spyder D Was The Main Reason I Was In The Music Business In The First Place So I Obliged.
I Produced, Recorded And Mixed "My Christmas Bells" In The "B" Room At Power Play Studios, He (Being A Signed Artist Could Not Do The Vocals So) He Asked That I [DJ Doc] Do The Vocals For Him, That Is The Lead On The Record. The Intention Was To Use A Harmonizer In Order To make The Artist Sound Like An Elf But In Addition To Those Mixes The Original, Untouched Lead Vocal Was Also Included On The 12".
What Was Actually A Joke Played On ROTATION On 98.7 And Several Other Staions Nationwide, Not Bad For 1 Nights Work While Kidding Around, I Hope That You All Enjoy It. Thats The Way We Made Records Back Then, Grinding Out Ideas Right There, Live And Direct, Now It Takes Weeks For A Single...Riduculous!
This Very Month (Dec 2007) I Celebrate 20 Years In The Music Industry Proud To Have Been Involved In Some Os The Greatest Music Ever Recorded - I Begin My Next 20 Recording The Incredible Female Powerhouse 'LA BRUJA', I Will Continue The Legacy - Holla At Me Fam, Because I'm Still No. 1 !"
Big shout out to DJ Doc Rodriguez, an absolute legend in the hip hop game. To hear some of his more recent work, stop by his MySpace page. He's currently working with female MC La Bruja, whose music you can also hear on Myspace.
Here are two of my favorite tracks that Doc worked on (youtube links):
I should have a better selection of holiday music for tomorrow, but in the meantime here's a rather odd hip hop track that my boy Mike passed along. The song, Hard Call Christmas (or My Christmas Bells), is by a duo named "Elf Elf and Dok-Im." I wasn't able to dig up much information on them, but Mike tells me he first heard the song on 98.7 Kiss FM back around 1987. The song was originally released under B-Boy Records, best known as the label that put out all of Boogie Down Productions' albums.
The track starts out as a parody of L.L.'s classic Rock The Bells, then transitions into Rakim's I Know You Got Soul about halfway through. The song's corny, admittedly, but what holiday song isn't? Have a listen:
Mel Cheren: Death Of A Legend Current mood: sad Category: Music
I am sadder than most this day, because I just learned that one of the people who believed in me most when I started this crazy musical journey, just passed away. I last spoke to Mel Cheren, as recently as a few months ago, and he was asking me where the hell I'd been. Mel wasn't much for the internet, and a friend should not have to keep up with you on the internet.
I am pissed at myself because that is what my life has become...Keep up with me on the internet, because I am doing so many things. I keep telling myself, slow down, take time to vibe with people. Get in contact with people you have been wanting to reach out to. Don't put it off until tomorrow.
I had been meaning to call Mel and see what was going on with him, and tell him about the basketball team. He was so proud of the fact that I had become a franchise owner. That was Mel though. He was happy to be of assistance anyway he could. To everybody, no matter the color, creed, or sexual orientation.
I was really trying hard at one point to get his book optioned into a movie. Reaching out to a few people I knew in the industry of influence like Nelson George, Bill Adler and a few others.It was his life story, centered around The Disco Era, The Paradise Garage, and being Gay.
I told him after I read the book, that I could not fathom how he wrote this, without breaking down into tears, as he had to relive the deaths of so many of his friends, including the incomporable DJ Larry Levan, due to the scourge we now know as AIDS.
Mel faced it all like he has done everything, with pride and with a fiestyness unmatched. Maybe now Mel, they will see the value in the story, and that time period. The late seventies, early eighties.
In my early career, Mel Cheren gave me some budgets to go in the recording studio and create.
DJ Divine's "Get Into The Mix" became an accidental instant classic form those sessions. Mel assigned me to take the West End classic "Sessomato", from the soundtrack "How Funny Can Sex Be", and do a Hip-Hop version of it. My original plan was to create a beat to ride up under it, and then drop in an original beat to create a whole new break beat that DJ's could cut. The new beat was so hot, I ran back to Mel and Ed Kushins at the West End office on W.57th Street, and asked them to increase the budget slightly, and I would make them two records for the price of one!
Me and DJ Divine went back into Power Play Studios and put Divine's scratches and vocals on the record, and got engineer Alan Scott Plotkin to mix it down after I added some eerie synths to it, and voila! Instant classic. They broke the record on the air while it was still just an acetate plate on NY's Kiss FM with Chuck Leonard on at prime time/drive time around 5 pm one afternoon. The phone lines went crazy, the distributors couldn't find the record because it hadn't been pressed yet! Mel and Ed were scrambling trying to get the record pressed, Divine and I were doing interviews and shows, and Divine, who had been known as a legendary DJ from Queens, was becoming a recording star in his own right. We still were able to take the Sessomato track and complete another electro funk classic called B Beat Classic, in which I bugged out on the vocodor, while splicing the beat over and over again with an original drum beat as the bed, as originally planned.
That is how I will remember Mel Cheren, as the man who gave a young upstart like me, a chance, a shot at being creative, even though I was from Queens, 'cause Uptown and the Bronx were ruling things in the Hip-Hop world at the time. Thank You Mel Cheren, from the bottom of my heart. There is no me, without you. May God rest your soul.
By STEPHEN MILLER Staff Reporter of the Sun December 11, 2007
A D V E R T I S E M E N T
A D V E R T I S E M E N T
Mel Cheren, who died Friday at 74, was a founder of West End Records, a spearhead of disco from the mid-1970s.
As a producer for another label, Scepter Records, Cheren was credited by Billboard magazine with inventing the 12-inch single and the purely instrumental b-side, which allowed a DJ to extend a dance song infinitely.
At West End Records, which he co-founded in 1976, Cheren released some of the formative singles of the disco era, including "Hot Shot" by Karen Young and Raw Silk's "Do It To the Music." He also backed a memorable nightclub, the Paradise Garage, where disco dreams played out in the fabulous late 1970s and early 1980s. A 2006 documentary about Cheren's role in the music's early days was titled, "The Godfather of Disco."
All too notoriously, the predominantly gay social scene of early disco burned out in the face of the AIDS epidemic. Cheren became a leader in that cause as well, holding the first fund-raisers and donating the first office space to the Gay Men's Health Crisis in his Chelsea brownstone, a renovated SRO. After GMHC outgrew those quarters, Cheren converted the brownstone into a gay-oriented bed-and-breakfast, the Colonial House Inn.
Born January 21, 1933, in Everett, Mass., and raised in nearby Revere, Cheren got his first job in the record industry at ABC-Paramount Records, where he rose to head of production. Hot acts on the label included Paul Anka and B.B. King, but Cheren left when ABC-Paramount moved to Los Angeles, in 1970. At Scepter, he pioneered long-playing "danceable R&B" formats, and shepherded early disco hits including "Do It 'Til You're Satisfied" by B.T. Express. Scepter folded in 1976, and Cheren and another Scepter executive, Ed Kushins, founded West End Records. The label's first release was a long-playing disco version of an Italian film score title track, "Sessamato," famously used as the first record scratched by GrandMaster Flash. There were other connections to the later hip hop styles, including Taana Gardner's "Heartbeat," a West End hit that has become one of the most sampled tracks.
In 1977, Cheren and his companion, Michael Brody, opened the Paradise Garage, a seminal nightclub on King Street in the West Village in a former parking garage â a ramp led up to the dance floor. Smoke machines and music videos lurked in the corners and one of the most sophisticated sound systems in the city pumped out DJ Larry Levan's selections. As it was a private club and sold no alcohol, the dancing could continue far into the night, sometimes even until noon the next day. The endless throbbing at Paradise Garage is often cited as a precursor to house music and similar modern styles. Despite the onset of AIDS and the "death to disco" or "disco sucks" movement of the early 1980s, the Paradise Garage managed to stay open until 1987. Today it is again a garage.
Cheren first opened his home for GMHC's offices from the organization's founding in 1982, and sponsored its first fund-raiser, at the Paradise Garage. He remained involved, and last January celebrated his 74th birthday as a GMHC benefit. He was also an important benefactor to music industry AIDS charities, including 24 Hours for Life and Lifebeat.
An accomplished painter, Cheren's art was featured on the covers of ten albums, including John Lee Hooker's "Urban Blues" and Sonny Rollins's "East Broadway Run Down." Other paintings, many lit by black lights to bring out the fluorescent paint, lined the halls of his B&B, which remains open.
In 2000, Cheren published a memoir, "My Life and the Paradise Garage:Keep on Dancin': " In the book's prologue, he wrote, "This is a story of my gay generation, the world we built, and the world we lost."
ATLANTA, GA (November 21, 2007) - The Continental Basketball Association expansion franchise Atlanta Krunk, co-owned by former rap stars Freedom Williams and Spyder D, won their home opener 109-94 over the Great Falls Explorers.
The game featured a matchup of two former Boston Celtic stars at the head coaching position. The Explorers Scott Wedman and the Krunk's Kenny Anderson locked horns and matched coaching wits for the first time, and will play against each other again on Thursday, Thanksgiving night.
The sparsely attended game started off slowly for both sides, but the teams gradually warmed up in the second half.
The Krunk, who are 2-1, pulled away in the early portion of the fourth quarter led by Miguel Millian and Zack Marbury who scored 31 and 22 respectively for the Krunk. Nate Green with 21 and Kieth Salschieder's 20 points kept the pace for the Explorers who are now 0-3.
By TIM WILKIN, Staff writer Click byline for more stories by writer. First published: Saturday, November 17, 2007
ALBANY -- The Albany Patroons played their first game of the Continental Basketball Association season in practice uniforms. Maybe that means those who wore them for coach Vincent Askew on Friday night were just practice players.
No such luck for the 1,510 who came out to see the new Patroons at Washington Avenue Armory. This is the team Askew has chosen to go with. At least for now.
The way the Patroons played in the opener, they need a lot more practice.
For most of the 2 hours they played basketball, the Patroons played an uninspired, sloppy brand of basketball, losing to the expansion Atlanta Krunk, 110-106.
The Krunk took 5 points of the possible 7.0 CBA standings points.
"I remember when I was playing in the NBA with Seattle," Askew said. "We were booed off the floor in our first two games and we went onto win 65. We're going to be OK. The beauty of basketball is that we have another game and another after that."
Albany did make things interesting in the final minutes, cutting a 14-point fourth-quarter deficit to one, 104-103, with 1:04 left on a 3-point shot by Lucious Jordan. But it would get no closer.
When the final buzzer sounded, it kept on ringing, a final exclamation point for a night when a lot went wrong. It rang for at least a minute before shutting off. What a night.
"It was pretty ugly," Jordan said. "But it was our first game playing together and tomorrow is another day. I don't know if it was first-game jitters or what but we have to play better. We know we can play better."
The Patroons made life tough on themselves because of several opportunities they missed. No such statistics are kept but Albany missed at least a dozen shots under the basket.
They also missed three technical foul shots. And Askew doesn't want to know how many times the Krunk beat the Patroons down their end of the floor for easy baskets.
"We made a lot of mistakes, especially me," said Albany guard Jamaal Miller, who had 21 points but also had five of the team's 20 turnovers. "I'm just disappointed in myself."
Before it even made a play in the opener, the organization was embarrassed because it did not have its game uniforms. The Patroons were forced to wear green practice trunks and white and green tops with green numbers on the back. They might be wearing them again Saturday night when they play the Krunk in their second game.
Dave Bestle, the Patroons' general manager, said the new uniforms were on order and were being delivered from China.
Nat Burton led the Patroons with 24 points, one of six players in double figures. The Patroons played without 6-foot-11 Amal McCaskill, who is still waiting for paperwork to clear him to play in the league. It's not certain whether he will be in uniform for Saturday night's game.
By MARK McGUIRE, Senior writer First published: Saturday, November 17, 2007
ALBANY-- Kenny Anderson the basketball star appreciates what plagues his buddy Stephon Marbury, who earlier this week briefly went AWOL from the New York Knicks.
As a member of the Seattle SuperSonics a few years ago, Anderson blew off a practice after getting upset over playing time. Anderson understands players' frustrations.
Like Marbury a legendary New York City point guard who played at Georgia Tech before leaving early for the NBA, Anderson got fined and benched. He understood the decision. Still does. In fact, he embraces it.
He'd do the same to his friend Marbury.
"That's a fine if I was coach, and he can't come right (back) in and play right away," said Anderson, the first-year coach of the CBA's Atlanta Krunk. (His starting point guard is Stephon's brother Zeck Marbury.) "Sometimes a coach has to make an example.
"And once he makes an example, he can't turn back. The players will sense that, and think they can get away with anything."
Especially in the CBA, whose share of oddballs, malcontents and guys who simply don't get it could justifiably brand the league the Chucklehead Basketball Association.
Anderson, 37, coached the first game of his career Friday night, defeating the Albany Patroons 110-106 in a nearly three-hour slogfest at Washington Avenue Armory. The teams play again at the Armory on Saturday night.
Maybe by then the Pats' game jerseys will arrive; they played in practice unis Friday. Welcome to the CBA, Kenny.
Hands in pants pockets, chomping gum, Anderson stood throughout Friday's game, slide-stepping and ref-pleading and wincing and chomping and brow-rubbing and chomping some more.
He crouched when the Krunk played defense, and pointed and shouted instructions on offense. At one-point he charged several steps onto the court, enraged over a first-quarter foul call. Anderson stopped abruptly, grimaced tightly, and returned to the sideline, planting his hands back in his pockets.
He didn't sit down until midway through the fourth quarter. He lost the jacket, and the tie got loose around the collar. The silky left-hander actually looked disheveled.
He also looked the part.
A three-time high school Parade All-American and second pick of the 1991 NBA draft, Anderson said he could have started coaching at a higher rung than the CBA, maybe as a "third assistant somewhere with a pad, writing notes down."
No, he wanted to start at the top, as a head coach, even if it meant starting at the bottom.
Just like every one of his players, Anderson's goal is to move on from the Krunk. (The nickname, also a hip-hop sub-genre, is a Southern expression meaning to have a good time. Alcohol is often implied.) He doesn't know if that future gig awaits in the NBA, where he enjoyed a 14-year career, or college, where he led the Yellow Jackets to the 1990 Final Four.
What he already knows is the CBA may be the toughest league to be a coach. The job entails suffering through play that sometimes resembles extremely high-level YMCA basketball, only more athletic and sloppy.
NEWTON, N.C. -- Some people have questioned whether a woman has what it takes to make it in racing. They wonder if there will ever be a woman with the talent, the stamina, and ruthlessness, and the determination to make it to the âBig Leaguesâ.
Well, wonder no more! Chrissy Wallace is fast proving that sheâs on her way to the top.
Saturday, September 8th, Wallace moved another step up the ladder when she claimed her third victory of the year at Hickory Motor Speedway. Starting 8th in a field of some of the finest Late Model Stocks drivers in the country, she used her head, used her front bumper, and put herself in place to take advantage of the bad luck of others.
Defending Track Champion #29 Andy Loden started upfront after winning his 8th Wynncom Pole Award with a lap time of 15.356 on the .363 banked asphalt oval, on a blistering hot day. Outside front row was rookie #89 David Latour Jr., whose enthusiasm and lead-foot immediately took him to the lead with the drop of the green flag.
Loden and #31 Kyle Grissom began a side-by-side battle that the crowd enjoyed for most of the race. By midway in the event, #21 Lucas Ransone had closed in on the leaders, while Loden slipped back to fourth and Wallace started moving forward.
On lap 31, the #31 of Grissom makes a surprising pit stop under green when he experiences tire problems. Meanwhile, Loden has made his way back to the front, and checks out on the field with a full straightaway lead. It looks like the battle will be for second spot between Latour, Ransone, Wallace, and #01 Roger Powell.
But caution flies again on Lap 44, when suddenly Loden takes a hard right into the Turn Four wall. A wheel had failed, mirroring exactly what had happened on Labor Day Mondayâs Bobby Isaac Memorial 200, when Matt McCall was leading Loden, and McCallâs wheel failure put him into the Turn Four wall.
On the restart, young gun Latour brought the field to the green ahead of Wallace, who had made her way to second, while Powell passed Ransone for third. With two-to-go, a wreck and spin brings out the caution to set the stage for a final green-white-checkers shootout.
Wallace put her experience (and her front bumper) to work on Latour on the restart, to take the lead and take the win. Powell made his move to second, and Latour got his first Top-3 finish. Newcomer #73 Sam Watts came home fourth, and Ransone was fifth.
The resultsâ impact on the season-long points standings show Loden leading Grissom by 46, with #19 Kyle Moon in third, Wallace fourth, and #43 Jesse LeFevers fifth.
In Limited Late Models action, #55 Waylon Flynn took his 6th Pole Award and 4th win of the season on a night with the highest car-count in Limiteds in many years at Hickory Motor Speedway. #44 Jarit Johnson finished second, followed by #4 David Currier Jr. in third, #15 Kenny Brooks fifth, and #94 Josh Wright fifth.
#99 Andrew Carlsen retains the LTD points lead by 20 over Flynn, with Johnson 20 points behind in third.
Advance Auto Parts Super Trucks put on an exciting show for the fans, with #97 Keith Bumgarner taking the win, over Pole Winner #3 Dexter Canipe Jr. #10 Andy Mercer finished third, followed by #01 J. R. Allen fourth, and #69 Trevor Hignutt fifth.
Bumgarnerâs 4th win of the season brought him within 10 points of leader Canipe, with only one Advance Auto Parts Super Trucks points race left in the season. Allen retained third place standings, followed by Hignutt fourth, and #09 Scott Whittaker fifth.
Street Stocks action saw #82 Gary Ledbetter Jr. start dead-last and make his way to the front of the pack to take his 10th win of the season, followed by #64 Marshall Sutton second, #7 Jeff Sparks third, #03 Kevin Eby fourth, and #99 Jonathan Smith fifth. The win moved Ledbetter to second spot in points behind Eby, dropping #42 Terrence Tucker to third, Sparks to fourth, and moved Sutton up to fifth.
#07 Denver Jones took his 5th win of the season in Hobby Stocks, finishing ahead of #5 Nikki Long, #90 Ronnie Sims third, #00 Dwight Wyatt fourth, and #-1 Ronald Dale McNeil fifth. Jones maintains his points lead in the division, with McNeil moving up to second, #98 Wesley Sain third, Sims fourth, and #11 Jimmy Whisnant fifth.
For more information, log on to www.hickorymotorspeedway.com, or call Speedway offices at 828 464 3655.
RESULTS
Hickory Motor Speedway ALLSTATE Night at The Races!! OFFICIAL RACE RESULTS 9/8/07
BOJANGLES' LATE MODEL STOCKS 1. 07 Chrissy Wallace 2. 01 Roger Powell 3. 89 David Latour Jr. 4. 73 Sam Watts 5. 21 Lucas Ransone 6. 55 Chris Lawson 7. 83 James Goff 8. 47 Patrick Molesworth 9. 38 Chase Maurer 10. 19 Kyle Moon 11. 34 Josh Goble 12. 33 Patrick McVay 13. 29 Andy Loden Pole 14. 31 Kyle Grissom 15. 54 Kaleb Pressley
LIMITED LATE MODELS 1. 55 Waylon Flynn Pole 2. 44 Jarit Johnson 3. 4 David Currier Jr. 4. 15 Kenny Brooks 5. 94 Josh Wright 6. 99 Andrew Carlsen 7. 07 Tyler Church 8. 25 Nick Proffit 9. 26 Tony McKinney 10. 77 Mark Goin 11. 76 Derrick Johnson 12. 1 Kurt Crosbie 13. 9 Kevin Townsend 14. 49 Kyle Bauknecht 15. 75 Eric Evans 16. 05 Danny Chafin 17. 01 Brian Knowles 18. 41 Chris Chapman 19. 67 Amanda Harrell 20. 40 Donovan Kellams 21. 39 Lee Queen 22. 5 Mario Hernandez 23. 28 Jason Crouse
ADVANCE AUTO PARTS SUPER TRUCKS 1. 97 Keith Bumgarner 2. 3 Dexter Canipe Jr. Pole 3. 10 Andy Mercer 4. 01 JR Allen 5. 69 Trevor Hignutt 6. 9 Thomas Hartensveld 7. 09 Scott Whittaker 8. 45 Kenneth Pardue 9. 17 Tyler Taft 10. 80 Danny Willard 11. 0 Dana White 12. 23 Danny Henning 13. 66 Bobo Brown
STREET STOCKS 1. 82 Gary Ledbetter Pole 2. 64 Marshall Sutton 3. 7 Jeff Sparks 4. 03 Kevin Eby 5. 99 Jonathan Smith 6. 42 Terrence Tucker 7. 66 Scott Wallace 8. 71 Robert Divanna 9. 05 Jeff Byers 10. 29 Joey Everhart 11. 17 Chris Kidd 12. 10 David Blankenship 13. 5 Mike Newton 14. 32 Jeremy Harrell
HOBBY STOCKS 1. 07 Denver Jones Pole 2. 5 Nikki Long 3. 90 Ronnie Sims 4. 00 Dwight Wyatt 5. -1 Ronald Dale McNeil 6. 98 David Hasson 7. 71 Randy Berry
LOS ANGELES -- A notable "Riding With" first was established with Grayson Boucher, who most people know as The Professor from the And1 Mixtape Tour, the modern-day Harlem Globetrotters.
Boucher, whose gifted ball-handling has made him a cult celebrity, is the first sports figure to use a rental car in the occasional Page 2 series where we interview athletes in their cars.
Boucher's real car is a 2005 Mercedes-Benz E-500. Unfortunately the Benz had yet to be shipped from Portland, Ore. -- Boucher's hometown -- to Los Angeles, his new residence. So we cruised around Santa Monica in a late-model Mustang.
As rapper Biggie Smalls would say, The Professor has gone from ashy to classy. When the 23-year-old tried out for the And1 team four years ago in Portland, he was a struggling, scrawny college student working at a grocery store.
Today he's still the same scrawny kid with the absurd crossover, but he's known from Australia to Japan, one of the most popular And1 ballers, and a main attraction on the ESPN reality series "Streetball," which chronicles the craziness of the And1 tour.
The Professor's new life consists of balancing hoop dreams and acting dreams.
Jemele Hill: First question, and probably the most important: How did you get the nickname "The Professor?"
Grayson Boucher: Typically in streetball, it takes years to earn your name, but being that the tour was commercial and trying to give everybody names, so [Duke Tango, the legendary voice from New York's famous streetball court Rucker Park] gave it to me my first game when I tried out in 2003 in Portland. He was saying I was schooling people on the court.
Donald Miralle/Getty Images
Life has changed a great deal for Grayson Boucher, now known as The Professor.
What were you doing when you tried out? What was your life like?
It was totally different than it is now. I was working at a grocery store. I was pretty regular. Working at the grocery store during the summer and going to Chemeketa Community College back in [Salem] Oregon. Just trying to live my hoop dream -- play JUCO and hopefully go Division I after two years.
What made you want to try out for the And1 team?
I was just going out there to have a good time and they had an open tryout where you could play during the game and the top two or three players would make it inside and play against the And1 players. I went up there with my brother. We were just going to chill, check out a game. Everybody, all my friends, were hyping me up, like, why don't you play? Why don't you show them what you got? I went out there and it turned into a career opportunity.
Can you put into words how much your life has changed since then?
Pretty drastically. I went from being a college student, working a summer job, not really having any money to being able to play ball as a career. So many things branched off that -- movies, commercials, video games, all types of stuff. I started my own Web site to get a lot more fan exposure.
What was it like being on the cover of Sports Illustrated?
That was huge for me. The first time I was in SLAM or Dime magazine, I thought that was huge. To be on Sports Illustrated, which is like the father of all sports magazines, that was huge. I couldn't believe it. I couldn't believe we got an article in there, much less the cover.
Do you still aspire to be in the NBA or have things changed?
When I started doing movies, my goals were starting to change. I recently got an opportunity to play for the CBA team in Atlanta called the Atlanta Krunk. I think I'm going to give it another run with regular basketball and see what happens out of that. I'm only 23, so I figure I still got time. It's still a goal, but if I didn't make it I wouldn't be mad because I got so many opportunities from streetball.
What do you think about the stereotype that guys on the And1 team can't play real basketball? Where does that come from?
It comes from watching our highlight tapes. It's so much finesse that you really don't see in a regular basketball game. The perception was, it's not real. I don't think they say that anymore. Everybody on our team has played pro ball, outside of two players. Half the team has played D-1.
Does The Professor have groupies? Or should we call them "students?"
I'm single now so I can say I have groupies. Not to a level that's crazy. It's not at the NBA level or an actor. But, a fair share.
How long before we see a Mrs. Professor?
A long, long time [laughs]. I don't even have a girlfriend right now so I don't want to think about a missus.
What films have you been in and which ones do you have coming out?
I actually did a film called "Ball Don't Lie," where I have the lead role, which I'm really excited about. That will also be out in 2008. It's another basketball movie where I play a high school kid who grows up in Venice [Beach] who's actually a foster child, stays in a group home and is placed with these foster families. He just goes through the struggles of life and plays basketball.
Did you have to wear a wig for the Will Ferrell movie?
Yeah because it's the 1970s ABA. I've got a wig that comes to my shoulders. I don't even think people will recognize me when they see the movie.
Did you have to wear the short shorts?
Short shorts. I couldn't even wear boxers because they would come out the bottom.
So what was it like to be walking around in that getup?
It was kind of weird and uncomfortable at times, especially when we first started playing ball. I felt almost naked. Halfway through the first couple days it was no big deal.
Does Woody Harrelson still have some skills left over from "White Men Can't Jump?"
For an actor, Woody Harrelson is good. I wouldn't take him down to the gym and put him on a team, but for an actor, he did his thing. He can shoot a little bit. He can dribble.
Did you all have pickup games on the set?
Yeah, sometimes. One day I played Woody one-on-one. We had a practice day in the middle of filming because they wanted to get down some extra plays for the movie. It was fun. Me and Woody played a game to 50.
You played to 50?
Yeah. He was like, "C'mon, man, I want to play The Professor one-on-one." I was like, all right, if you really want to. It was funny because it was a lot of people around and I started off going easy on him. He hit one shot. I was like, oh, OK. He hit another shot, so I had to get out there a little bit. Then he hit another shot. So I was down 3-0. But I was playing casually. I mean, he's good, but he's not that good. So then I had to get up and I don't think he scored another point. I beat him 50-3. But it was fun, though.
You probably get a lot of that, don't you? I'm sure every time someone sees you they probably think they can take you, right?
All the time. We do this thing called "Crash the Court," where we'll go to different streetball courts all over the U.S. We'll go out and play and there will be so many people hatin' or like, "I'll bust your ass." It's pretty much something I'm used to. You just got to keep it in your head that every time you step on the court you've got to hold it down so you can keep your name.
Donald Miralle/Getty Images
Think you can take The Professor? Don't be too sure.
Has a random guy off the street ever beat you?
Yeah. I've lost games one-on-one. I wouldn't say a random guy off the street, but I've been in the gym and played people one-on-one and lost games before. Who doesn't lose a game of one-on-one? If anybody ever says they haven't lost a game of one-on-one, they're lying.
Do you watch NBA games and say, "I could probably take that guy?"
I don't really look at it like I can probably take them one-on-one. But sometimes I watch the games and say, "I could probably fill his shoes." But I have so much respect for guys in the league because it takes so much to get to that level. You have to be in the right place at the right time, know the right people. You have to stay healthy.
Were you stereotyped a lot growing up because you're white?
All the time. That's my main motivation playing basketball. I try to prove people wrong, that I can hold my own against anybody. Before, it was like, who's this kid? He shouldn't be out here. He doesn't look like a basketball player. Then I would go out there and do my thing. Now, even though ballplayers know me, they still underestimate me. So that's still my motivation.
Any theories on why there aren't more white, American-born basketball players in the NBA?
There was an article on this in SLAM magazine two or three issues ago that they quoted me in. I think the conclusion the guy who wrote the article came to -- which I thought was true -- is that a lot of white people are from the suburbs, meaning they have a fair amount of money and go to decent schools. They have more opportunities to play other sports. Maybe a white kid in the suburbs has the option of playing football, basketball, soccer, track and swimming. Then you have a lot of inner-city kids who only have basketball. Some schools don't even have grass.
Is intimidation part of the equation, too? Maybe there are some white kids who want to play basketball, but they aren't encouraged to keep going.
Sometimes that can be the case. It was always funny to me because whenever I play ball, the way I was raised, you are never scared of your competition. Maybe it came from my Pops or something. I never had a problem with that. I played against people of all races growing up. But a lot of kids' parents will come up and ask me, "My son is trying to play ball, and you don't ever seem intimidated, what can I tell my kid?" That question always bugs me out because I was never like that when I was younger. I just tell them it's a matter of having heart and you can't worry about what the appearance is or the guys you're playing against. It's how bad you want it.
What drew you to basketball?
My dad. He was my main influence. He didn't play in college or anything, but he lived and breathed basketball. He played in city leagues and we were Blazers fans, so we were always watching Blazer games. He just really got me into it. I've been playing ever since first grade. It's my only love, my only passion.
So how excited are you about Greg Oden?
I think he'll be good. I think that Greg Oden will take a couple years to be the premier player everybody wants him to be. Supposedly they sold a bunch of tickets since he got drafted, but I don't think he's necessarily exciting to watch because he does the dirty work. He gets rebounds and blocks shots and stuff like that. I think it'll take a couple years for him to develop into a Ben Wallace-type player.
Are you still hurt over the Blazers blowing the conference finals against the Lakers [during the 1999-00 season] after being up 17 in the fourth quarter?
Man, that was crazy. I think one of the refs in that game was one of the refs that got in trouble. I felt like all the calls were going L.A.'s way. I was so bitter after that.
Speaking of Tim Donaghy ⦠what was your reaction to finding out a NBA ref had been fixing games?
My immediate reaction was ⦠I knew it! I don't know if it happens all the time or if it was just that individual ref, but sometimes the outcome of the game is so altered by the refs, you've got to think, were they motivated by gambling?
If you could play two-on-two with anybody in the NBA, who do you want on your team and who do you want to go against?
Aw, man. I'd like to play a guard game. I'd probably say myself and AI (Allen Iverson) versus Steve Nash and Chris Paul. I'd want to compare myself to the guards.
Final score?
Me and AI got 'em. We'd probably split games. I think in the end we'd come out 3-2.
Just a year. This last year was the first time I signed a two-year contract.
How much money you making?
A good amount. A nice, six-figure deal.
What did you do with your first paycheck from And1?
I think I just put it in the bank. I took my mother's advice, which is a good thing.
So you didn't want to run out and buy any jewelry? Diamonds? Platinum?
My dad's a jeweler, so yeah, I've got a few diamonds. I've spent some checks that way.
Do you see yourself being a full-time actor?
When I started acting, I found something else I have a passion for as much as basketball and that's never been the case.
How do you handle having fans, having people recognize you when you're walking down the street?
I think I'm so used to it that I handle it well. At first, it was kind of like, a little overwhelming, walking down the street and having people in your business, wanting your autograph at times when you don't feel like doing it the most. I think it's easy now. I expect it.
You ever had any bad experiences with fans?
Yeah, a few times. I've gotten into it with people, but now I look at it, five years into it, as why would I even waste my time? If they're going at me like that, it must be a reason. I must be doing something right.
You were in a pretty bad car accident when you first moved to L.A. Was that a wakeup call? What lingering impact did that have?
It was a wakeup call. When I first moved to L.A., I was excited. I was partying a little bit. Maybe too much. Anyway, I was coming out of the club at three in the morning, going down Sunset and got hit by a drunk driver. It was an intense thing. When I got out of my car, it just looked like a bunch of pieces of metal. It makes you reflect on life and how valuable it is. It probably just made me a little more focused, to be honest.
What's your recollection of the accident?
I don't think I flipped over. I was hit head-on and I spun out across the median where the car had come over and hit me. I just spun out and the car flipped up on the side and came back down.
Donald Miralle/Getty Images
You never know, maybe we'll see The Professor in the NBA one day.
You could have died from that.
Oh, definitely. The only part of the car that wasn't damaged the most was the driver's side. All the windows caved in. The passenger's side was smushed. Luckily, nobody was riding with me at the time. I was just fortunate that the door even opened. It started smoking, so I thought it was on fire at first. I was just really fortunate.
Did it take you a long time to go out and enjoy the L.A. social scene after that? Or was it business as usual?
I can't say it impacted me too much. Two days later, I was back out. It made me reflect on life and how valuable it is, just to let you know not to take life for granted.
What do you like to do besides basketball and acting?
I'm pretty laid-back. Whenever I have off time or chill time, I hang out with friends. I like to go to the beach. I like to go to movies. I've seen a lot of movies because when you're in Oregon, there isn't much to do. So a lot of times, you get a flick and watch it with some friends. Just basic stuff. I don't have a passion for a whole lot of things. Basketball is my main thing.
What's the last good movie you saw?
I saw a horror movie called "1408." That was pretty good. I saw "I Now Pronounce You Chuck & Larry," which was hilarious.
What's your favorite movie of all time?
Aw, man. That's tough. I never really can say one movie.
Better way to phrase it: If you're stranded on a desert island, what three DVDs do you have to have with you?
Man, I'd probably take "Dumb and Dumber" to make me laugh. I would take "Scarface," because it's a classic. And I would take "Hoop Dreams" because that was my most inspirational movie.
Did "Hoop Dreams" change your life in a significant way?
It showed me the reality of people in different places trying to make it just like I was. It showed one story that kind of succeeded and one that failed. The movie is 3 ½ hours long, but I used to watch it all the time. It really inspired me to work on my game and try to live out my own hoop dream.
I'll end this on a deep note. When The Professor has hung up his basketball shoes, what would you like people to say about you?
Probably just that I was an inspiration to them. That's the most flattering comment I get from people who know my story, who were inspired to do things and live out their dreams.
Page 2 columnist Jemele Hill can be reached at jemeleespn@gmail.com.
ALBANY, NY (August 3, 2007) â The Continental Basketball Association today announced a change to the 2007-08 schedule.
The regularly scheduled game between the Great Falls Explorers and the Atlanta Krunk on November 20 has been moved to November 21.
âWe apologize to our fans for having to make these changes to the schedule, but with the NBA Champion San Antonio Spurs in town for their only visit to Atlanta, and the fact that it fell on the same night as the Krunk home opener, we felt it was best to move the contest,â said CBA Vice President of Basketball Operations Dennis Truax.
ALBANY, NY (August 1, 2007) â The oldest professional basketball league in the world will begin its 62nd consecutive season on Friday, November 16 as the Continental Basketball Association tips off the 2007-08 campaign
The ten-team league will be divided into the American (Albany, Atlanta, Minot, East Kentucky, and Pittsburgh) and National (Butte, Great Falls, Oklahoma, Rio GrandeValley, and Yakama) Conferences, and will play a total of 240 regular season games. The 16-week season concludes on Sunday, March 9, and the CBA Playoffs commence on Wednesday, March 12.
âWhen faced with the building of the schedule each year, the CBA tries to do several things to insure success for out member teams, âsaid CBA Acting Commissioner Jim Coyne. âI think the fans will be happy with this schedule and will be out to support their teams. We looked to maximize weekend dates for our franchises and to keep travel costs to a minimum. I feel we have been able to do that this season and this schedule is a reflection of this effort.â
The season starts on November 16 with four games on tap. The Atlanta Krunk begins their CBA tenure when they travel to Albany to face the Patroons, the Minot Skyrockets go to Butte to face the Daredevils, the East Kentucky Miners play their first game in Pittsburgh versus the Xplosion, and the 2007 CBA Champion Yakama Sun Kings hand out their championship rings for the second consecutive season, when they host Great Falls.
Other early highlights include home openers for Atlanta on November 20, East Kentucky and Oklahoma on November 20, and Rio GrandeValley on November 17.
On January 22, the Yakama Sun Kings will host the 24th CBA All-Star Classic, which features the Long Distance Shootout, the Slam Dunk Competition, and the CBA All-Star Game.
Due to the overwhelming success of last yearâs Christmas-night game, the Albany Patroons will again play on Christmas, hosting former head coach Micheal Ray Richardson and his new team, the Oklahoma Cavalry. The CBA will also have each of its ten teams in action on February 29, Leap Day, taking advantage of an extra day in the schedule. The leagues two most successful coaches clash for the first time on December 18 when Paul Woolpert and his 205 wins host Chris Daleo and his 144 wins all-time, when Minot travels to Yakama. Former Celtics greats Kenny Anderson and Scott Wedman clash for the first time on November 20 when Weidmanâs Explorers travel to play Andersonâs Atlanta Krunk. The master takes on the pupil when Steve Tucker and his Silverados take on his former assistant coach Kevin Keathley and the East Kentucky Miners for the first time on November 26.
2007-08 CBA SCHEDULE
(All times local)
DATEGAMETIMENUM.
Fri. Nov. 16 Atlanta at Albany 7:35 1
Minot at Butte 6:15 2
Great Falls at Yakama 7:05 3
East Kentucky at Pittsburgh 7:05 4
Sat. Nov. 17 Atlanta at Albany 7:35 5
Minotat Butte 6:15 6
Great Falls at Yakama 7:05 7
Oklahoma at Rio GrandeValley 7:05 8
Sun. Nov. 18 Pittsburgh at East Kentucky 4:05 9
Tue. Nov. 20 Great Falls at Atlanta 7:05 10
East Kentucky at Oklahoma 7:30 11
Yakama at Rio GrandeValley 7:05 12
Wed. Nov. 21 Butte at Pittsburgh 7:05 13
East Kentucky at Oklahoma 7:30 14
Thu. Nov. 22 Great Falls at Atlanta 7:05 15
Butte at Pittsburgh 7:05 16
Yakama at Rio GrandeValley 7:05 17
Fri. Nov. 23 East Kentucky at Minot 7:05 18
Rio GrandeValley at Pittsburgh 7:05 19
Sat. Nov. 24 Albany at Atlanta 7:05 20
Yakama at Butte 6:15 21
East Kentucky at Minot 7:05 22
Sun. Nov. 25 Yakama at Butte 6:15 23
Rio GrandeValley at Pittsburgh 7:05 24
Mon. Nov. 26 Albany at Atlanta 7:05 25
Rio GrandeValley at East Kentucky 7:05 26
Tue. Nov. 27 Minot at Atlanta 7:05 27
Great Falls at Oklahoma 7:30 28
Pittsburgh at Yakama 7:05 29
Wed. Nov. 28 Minot at Atlanta 7:05 30
Butte at East Kentucky 7:05 31
Great Falls at Oklahoma 7:30 32
Thu. Nov. 29 Butte at East Kentucky 7:05 33
Fri. Nov. 30 Rio GrandeValley at Minot 7:05 34
Pittsburgh at Yakama 7:05 35
Sat. Dec. 1 Albany at Pittsburgh 7:05 36
Great Falls at Butte 6:05 37
Rio GrandeValley at Minot 7:05 38
Sun. Dec. 2 Atlanta at East Kentucky 4:05 39
Mon. Dec. 3 Albany at Pittsburgh 7:05 40
Atlanta at East Kentucky 7:05 41
Tue. Dec. 4 Yakama at Great Falls 6:05 42
Wed. Dec. 5 Atlanta at Albany 7:35 43
Rio GrandeValley at Butte 6:15 44
Oklahoma at Great Falls 6:05 45
Pittsburgh at Minot 7:05 46
Thu. Dec. 6 Rio GrandeValley at Butte 6:15 47
Oklahoma at Great Falls 6:05 48
Fri. Dec. 7 East Kentucky at Albany 7:35 49
Minot at Pittsburgh 7:05 50
Sat. Dec. 8 East Kentucky at Albany 7:35 51
Rio GrandeValley at Great Falls 6:05 52
Minot at Pittsburgh 7:05 53
Oklahoma at Yakama 7:05 54
Sun. Dec. 9 Butte at Atlanta 3:05 55
Rio GrandeValley at Great Falls 6:05 56
Mon. Dec. 10 Albanyat Pittsburgh 7:05 57
Butteat Atlanta 7:05 58
Tues. Dec. 11 Oklahoma at Yakama 7:05 59
Wed. Dec. 12 Atlanta at Rio GrandeValley 7:05 60
Butte at Great Falls 6:05 61
Thu. Dec. 13 Minot at East Kentucky 7:05 62
Fri. Dec. 14 Yakama at Butte 6:05 63
Sat. Dec. 15 Yakama at Great Falls 6:05 64
Sun. Dec. 16 Atlanta at Rio GrandeValley 4:05 65
Butte at Great Falls 3:05 66
Minot at East Kentucky 4:05 67
Mon. Dec. 17 Albany at East Kentucky 7:05 68
Oklahoma at Pittsburgh 7:05 69
Tue. Dec. 18 Minot at Yakama 7:05 70
Wed. Dec. 19 Albany at East Kentucky 7:05 71
Rio GrandeValleyat Great Falls 6:05 72
Oklahoma at Pittsburgh 7:05 73
Fri. Dec. 21 Atlanta at Butte 6:15 74
East Kentucky at Pittsburgh 7:05 75
Minot at Yakama 7:05 76
Sat. Dec. 22 Oklahoma at Albany 7:35 77
Atlanta at Butte 6:15 78
Rio GrandeValley at Yakama 7:05 79
Sun. Dec. 23 Pittsburgh at East Kentucky 4:05 80
Tue. Dec. 25 Oklahoma at Albany 7:35 81
Thu. Dec. 27 Albany at Minot 7:05 82
East Kentucky at Atlanta 7:05 83
Great Falls at Oklahoma 7:30 84
Yakama at Pittsburgh 7:05 85
Fri. Dec. 28 Albany at Minot 7:05 86
Yakama at Pittsburgh 7:05 87
Sat. Dec. 29 East Kentucky at Atlanta 7:05 88
Oklahoma at Butte 6:15 89
Great Falls at Rio GrandeValley 7:05 90
Sun. Dec. 30 Great Falls at Rio GrandeValley 4:05 91
Mon. Dec. 31 Pittsburgh at Albany 7:35 92
Wed. Jan. 2 Yakama at Atlanta 7:05 93
Minot at Great Falls 6:05 94
Rio GrandeValley at Oklahoma 7:30 95
Thu. Jan. 3 East Kentucky at Butte 6:15 96
Minot at Great Falls 6:05 97
Rio GrandeValley at Oklahoma 7:30 98
Fri. Jan. 4 Pittsburgh at Albany 7:35 99
Yakama at Atlanta 7:05 100
East Kentucky at Butte 6:15 101
Sat. Jan. 5 Pittsburgh at Albany 7:35 102
Butte at Great Falls 6:05 103
Minot at Rio GrandeValley 7:05 104
Sun. Jan. 6 Yakama at East Kentucky 4:05 105
Minot at Rio GrandeValley 4:05 106
Mon. Jan. 7 Great Falls at Pittsburgh 7:05 107
Yakama at East Kentucky 7:05 108
Tue. Jan. 8 Atlanta at Minot 7:05 109
Butte at Oklahoma 7:30 110
Great Falls at Pittsburgh 7:05 111
Wed. Jan. 9 Atlanta at Minot 7:05 112
Butte at Oklahoma 7:05 113
Rio GrandeValley at East Kentucky 7:05 114
Thu. Jan. 10 Great Falls at Albany 7:35 115
Fri. Jan. 11 Great Falls at Albany 7:35 116
Pittsburgh at Rio GrandeValley 7:05 117
Sat. Jan. 12 Butte at Yakama 7:05 118
Pittsburgh at Rio GrandeValley 7:05 119
Mon. Jan. 14 Albany at Yakama 7:05 120
Rio GrandeValley at Atlanta 7:05 121
Pittsburgh at East Kentucky 7:05 122
Minot at Oklahoma 7:30 123
Tue. Jan. 15 Rio GrandeValley at Atlanta 7:05 124
Wed. Jan. 16 Albany at Yakama 7:05 125
Oklahoma at Minot 7:05 126
Thu. Jan. 17 Pittsburgh at Atlanta 7:05 127
Fri. Jan. 18 Albany at Butte 6:15 128
Pittsburgh at Atlanta 7:05 129
East Kentucky at Rio GrandeValley 7:05 130
Oklahoma at Minot 7:05 131
Sat. Jan. 19 Albany at Butte 6:15 132
Pittsburgh at Atlanta 7:05 133
East Kentucky at Rio GrandeValley 7:05 134
Sun. Jan. 20 Minot at Oklahoma 4:05 135
Tue. Jan. 22 CBA ALL-STAR GAME at Yakama 7:35
Thu. Jan. 24 Butte at Albany 7:35 136
Pittsburgh at Minot 7:05 137
Rio GrandeValley at Oklahoma 7:30 138
Fri. Jan. 25 East Kentucky at Yakama 7:05 139
Pittsburgh at Minot 7:05 140
Sat. Jan. 26 Butte at Albany 7:35 141
Great Falls at Rio GrandeValley 7:05 142
East Kentucky at Yakama 7:05 143
Sun. Jan. 27 Great Falls at Rio GrandeValley 4:05 144
The Atlanta Krunk announce the signing of former NBA All Star Kenny Anderson to be Head Coach and part owner of the Continental Basketball Association franchise.
"My partner, Freedom Williams knew Kenny from back in the day, so when I heard Kenny on the Two Live Stews sports talk radio show expressing his desire to get into coaching, I thought he'd be perfect for our organization. I immediately got on the phone with Freedom who initiated contacting Kenny", said team President and acting GM, Gold Record producing Spyder D Hughes, a pioneering Hip-Hop producer/artist.
Grammy and multiple American Music Award winner, and former C&C Music Factory lead vocalist Freedom Williams, who is the Krunk franchise majority owner says, "Kenny Anderson (whom I dub king of the crossover), is a true basketball authority. His love of the game and practice ethics are legendary. He has already made incredible choices for assistant coaches, and his off the court acumen, in my estimation is second to none. We are very excited about Kenny's inclusion into our basketball universe. The Atlanta community is receiving home one of its prodigal sons and we are expecting a fantastic basketball season. It will be a time of great sport and entertainment for all."
Anderson, who enjoyed a brilliant record setting prep school career at basketball powerhouse Archbishop Molloy in Queens, NY, then went on to star at Georgia Tech, in Atlanta, where he was part of "Lethal Weapon 3", (the trio of Anderson, Dennis Scott, and Brian Oliver), who surprised the college basketball world with a Final Four appearance in Anderson's freshman season. It was Anderson's buzzer beater in regulation that sent their sweet sixteen contest into overtime, a game they eventually won, propelling them into the Elite Eight. They lost to eventual NCAA Champion UNLV in the Final Four. After averaging 26 points per game as a sophomore, Anderson declared for the NBA draft, and was selected as the second overall pick by the New Jersey Nets in the 1991 NBA draft. By 1993, the New York playground and high school legend had lived up to all promise and expectations by becoming an NBA All Star. Unfortunately, during a playoff game against the cross town rival NY Knicks, Anderson suffered a broken wrist in a controversial play with Knick fan favorite John Starks. Anderson returned to form, and eventually became the floor leader of the storied Boston Celtics franchise before retiring in 2005 after a brief stint with the Atlanta Hawks.
An elated Kenny Anderson stated, "I am very excited about being a part of the CBA organization. Becoming a coach after playing in the NBA has been a goal of mine that I dreamed about fulfilling for many years. Being the Head Coach for the CBAs first team in Atlanta the Atlanta Krunk , is a great opportunity. Many great coaches started their career with the CBA, such as, Phil Jackson, George Karl, and Flip Sanders. I feel that coming back to the city where I was a college star at Georgia Tech to coach, is a blessing. Not only am I coming back to the city, I am also bringing on board as assistant coach, my mentor and close friend Vincent Smith. Vincent smith, taught me my work ethic, and has many years of experience. Also, on my staff I am bringing on Lamont Moreno, as Trainer/Assistant, who has many years of experience and much knowledge of the game. I look forward to the challenge that lies ahead. I will work hard and will be fully committed to the CBAs Atlanta Krunk being a success."
The CBA will begin it's sixty first season in 2007 and the NBA Finals boasts both players and coaches that are CBA alum, including San Antonio's Bruce Bowen and Jackie Butler (Chip Engelland and Don Newman - Coaches), and from Cleveland, Damon Jones, David Wesley, Ira Newble (Chris Jent and Kenny Natt - coaches).
CHRISSY WALLACE MAKES HISTORY AT HICKORY MOTOR SPEEDWAY
by Dillon Houser
Saturday Night, June 2nd , Hickory Motor Speedway celebrated their "57th Birthday Party Presented by Pepsi" with another one for the NASCAR history books, adding to the mystique of the "Birthplace of the NASCAR Stars!' 19 year old Chrissy Wallace, of Concord, NC, made her mark by becoming the first Female Driver to ever win a Feature Division-Late Model Stocks event in the track's 57 year history.
The "NASCAR Whelen All American Series" Feature Division "Bojangles' Late Model Stocks" had all the pre-race hype any fan could stand.
2004 HMS Track Champion & 2005 UARA Stars Late Model Touring Series Champ Matt McCall came back home from a brief stint as a Development Driver for Robert Yates Racing to take the Wynn-Com Pole Award. Second in Qualifying was Ashley Huffman, who was gunning for his first win of 2007 after previously taking consecutive Pole Awards and podium finishes the last two weeks.
Second generation driver Chrissy Wallace, daughter of NASCAR driver Mike Wallace, qualified third again, showing that an early season car & team move to Robert Hamke's potent Chevrolet would pay dividends. Little did anyone know what the fans of HMS would witness on this historic night.
Rounding out the top five were HMS Young Guns Duncan Molesworth and Jesse Lefevers.
Lurking back in Sixth was Andy Loden defending HMS Track Champion and current Points Leader. After moving up the scheduled start of the Late Models Feature under heavy overcast skies, the Bojangle's Late Models were set to roll with a strong sense of urgency, knowing that heavy rain was approaching and no time was to be wasted.
As the Green Flag waved and the leaders took off, caution was thrown due to the start not being to the liking of the NASCAR Officials. A couple of more pace laps then finally the Green Flag is out and Ashley Huffman from the Outside Pole and Matt McCall from the Pole run door to door for the first ten laps then Huffman is able to move to the point with McCall sliding into second.
Meanwhile Chrissy Wallace has closed the gap to the two leaders with five-time winner Andy Loden moving into the fourth spot. Huffman build his lead to five car lengths while McCall has come under fire from Wallace and Loden for second place, with Loden working his signature high-side and Wallace working the low side. After several laps of side-by-side racing, nearly going three wide for the second spot between the threesome on Lap 23, Wallace moves into second and a lap later Loden moves around McCall to Third.
Over the next ten laps, Wallace cuts a carlength per lap off the distance to the leader Huffman, with Loden in hot pursuit. At lap thirty one, Wallace dives to the inside of Huffman to begin to inch her way to the lead. Three Laps later, Wallace makes the pass and takes control as the race leader. With Huffman having to fend off Loden, the battle for the lead now has three cars in the mix. Loden takes second away from Huffman on lap Forty Three and sets his sights on the race leader Wallace, who at this point has made a small advantage.
As the laps wind down, Loden is closing the gap to the race leader Wallace, but in the end, she was not to be denied her place in the history books as she crossed the finish line, taking the Checkered Flag for the win.
In Victory Lane she celebrated with her mother and received a cell phone call from her dad Mike Wallace in Dover, Delaware. Mike was overjoyed to the point of tears as the two spoke. Chrissy was ecstatic with the news that she was the first Female Driver to ever win a Late Model Feature at HMS saying "On Hickory Speedway Birthday Night to win with a brand new team the second time out of the box and become the First Female Feature Winner at HMS was amazing and more than I could have hoped for".
Loden finished a strong second, to add to his points lead, while Huffman, coming home third continues to make strides to his first 2007 Hickory win. #31 Kyle Grissom placed third, and #53 Duncan Molesworth was fifth.
Pole Winner Matt McCall had a disappointing 16th place finish after his exhaust pipe worked loose from the car, hanging out the right side, and forcing him to pit with just a few laps remaining in the event.
VETERAN RAP PIONEER/PRODUCER/ARTIST SPYDER DRELEASES NEW SINGLE ONLINE
The long awaited lead single from what is to be his final album, "Legendary", was released online at www.myspace.com/spyderd via MySpace affiliated Snocap, a pioneer in the digital download industry.
The song is titled "Venom (Real MC's Rise Up)" and is available for sale online for ninety-nine cents per download. A DJ remix contest, using the accapela (that will be made available soon), will be announced in the coming weeks.
When asked to comment on his new single, Spyder refused to elaborate. Saying only, "I'll let the track speak for itself".
The album was originally scheduled to come out last year through the Tofa Enterprises/Empire MusicWerks/Universal distribution deal that was signed in January of 2006, but Spyder delayed the production for other projects like the Jimi Hendrix/Aleem Twins project, The Chrissy Wallace clothing line and his Atlanta Krunk CBA basketball franchise. Spyder also cited difficulties in pinning down release dates with Tofa as an additional reason for the delay.
"We are trying to work out all of that now", said Spyder in regards to the deal that he signed to relaunch his famed Newtroit record label that became the first label launched by a rapper back in 1979.
The label has signed several artists from all over the US, including Detroit, Dallas, Charlotte, Virginia, and New York.
Spyder is also finishing up his biography, "So You Wanna Be A Rapper", with Mark "Skillz" McCord, due out winter of 2008.
Spydo Music, Inc., with Mike and Chrissy Wallace at Atlanta Motor Speedway
Hampton, Ga., March 17th, 2007
NASCAR's Busch Series rolled in to Atlanta on a blustery St. Patrick's Day, where Mike Wallace, driver of the Geico No. 7 car, invited Spydo Music CEO Duane "Spyder" Hughes to the track, to witness firsthand, the behind the scenes happenings at what many believe is the "fastest" surface on the circuit.
"This was my first time ever at a NASCAR race, and to be behind the scenes was incredible", says Spyder.
Spyder continued, "Mike Wallace is a class act all the way. It was very gracious of him to take time out to show me some things about the track, the pre race proceedings, and, I am very humbled by the warmth and hospitality that has been shown to me by his entire family since the signing of the clothing line deal with Chrissy (Mike Wallace's teen daughter and driving sensation in her own right). "I even got to meet Kenny Wallace today! He was so gracious when we met, although he was bummed out about his car not qualifying for Sunday's Nextel race. That was very nice of him considering his disappointment. They are all (the Wallaces) just incredible people. Chrissy took me around while Mike was preparing for the race. When we went on to the track itself, I was in awe! Chrissy introduced me to Tony Stewart who is an absolute superstar, and then I am standing in line with the Geico Race Team during the singing of the National Anthem, then the jets fly over...then, the next thing I know, we are sitting with the Geico race team crew chief as they wave the green flag! Wow!
"About seventy laps in, there was a tremendous wreck. Jason Leffler, driving the No. 38 car, gets into a tangle with Reed Sorenson (No. 41 car), and BAM!, smack into the wall at 180 mph! I'm like, is dude ok!? How did his car not break into pieces at that speed?!
Unbelievable!
Both drivers were okay, and the race continued. Mike Wallace finished a modest seventeenth in the race after leading for one lap. He started the race in the 40th position, so that was a very good climb that moved him up one notch in the standings to the eigth place spot in the Busch series standings.
NASCAR races are broken down in to three series: The Craftsmen Truck series is usually on Fridays, the Busch series is usually on Saturdays, and the Nextel Cup series is on Sundays, and usually draws "Super Bowl" type attendance at whatever venue it is held.
Spyder said, "...although it was a little blustery, it was still a pretty nice sized crowd today. Coming from New York City, let me tell you, the stereotype nonsense you hear about auto racing and it's fans is pure fiction. There was a very diverse crowd here today, and the atmosphere was phenomenal. I am trying to learn as much as I can about the sport since I will continue to design sportswear for Chrissy and motorsports fans. It was a great day all in all, although my little Son, Spyder Jr. will be mad at me one day when he reads I was at Atlanta Motor Speedway on his birthday, instead of with him! I wanted to bring him but that was impossible with all of the noise and stuff."
Label Founder Spyder D, (Duane Hughes), is proud to announce that the labels first release, scheduled for mid spring, will be a collaboration of heirs to Motown Legend David Ruffin.
The track is called "Got Love For Ya", an ode to ghetto love, with the lead rap voclas by the grandson of the Temptations former lead singer. Clifford Ruffin, or "Ruff", (as he is known in the competitive freestyle rap world of Detroit, made famous by the Eminem movie "Eight Mile"), is joined on this low tempo funk groove by none other than David Ruffin, Jr., who smoothly harmonizes the hook line and ad libs. A video shoot is being scheduled to support the marketing efforts of what is the first of many scheduled releases to come out from Northend Records producer MoBizzy.
Said Newtroit label head Spyder D, "Billy Wilson introduced me to MoBizzy, and I swear it didn't take me thirty seconds of listening to the first song on the compilation CD before I was getting contracts ready! I had just recently signed a distribution deal with TOFA/Empire MusicWerks/Universal when these talented people just fell out of the sky to me. I'm like...there is certainly a God!"
Spyder continued, "I had already signed groups from Dallas, Charlotte, and of course New York, but releasing these groups out of Detroit first makes sense in the fact that this is where I originally started Newtroit Records 28 years ago."
Other members out of the camp include, Doughnut, Universal, Half Life, Baby Yo, and Storm Dog. "All have their own unique style of rapping and bringing the heat", said Spyder from his Atlanta studio.
"I am proud to be associated with the Ruffin family as they are heirs to a brilliant legacy in the soulful stylings of the one and only David Ruffin. David Ruffin's wife, Sandra is a beautiful person, and a strong woman. We first met when I went to pick her and her sister Belinda up at the airport here in Atlanta. I took to both of them immediately. The family has been through a lot lately with the tragic death of Mone Little, David's Granddaughter, and Ruff (Clifford), himself survived a serious incident on 9/11.
"I was with an MTV crew and Freedom Willams in New York, about to go on camera when I got the call that Ruff had been seriously wounded. Needless to say, I didn't feel like going on camera after that. Ruff's Mom, Nedra, has entrusted me with her Son's career. That means a lot to me. It's a responsibility I take very seriously", continued Spyder. "All of my artists mean a lot to me. It's personal, it's like family".
The label also has Banguz Entertainment, a production crew out of Dallas, Texas, headed up by Lawrence McCall, and productions from former Sparky D DJ, Grand Creator K-Wiz featuring the rapper Broadway, , the man known as "Butta Tones", one of the undergrounds hottest "unsigned hype" artists, Jaz Jordan, a powerful neo-soul vocalist out of Queens, NY, who has recently begun working with LL Cool J DJ Cut Creator on a lead single, and Dorris Dae, a talented singer/musician in the mold of Alicia Keyes. There is also a Gospel wing for Newtroit that will feature Keith Holland & Friends and female rapper turned evangelist Sparky D, who has teamed up with former King Of Rap Kurtis Blow with his Hip-Hop Ministry.
The label is also in negotiation with legendary battle rapper Mikey D, who has just completed work on his documentary about his career as one of the best battle rappers ever, and features cameos by the likes of LL Cool J.
SPYDO MUSIC, INC. CEO SPYDER D IS PROUD TO ANNOUNCE THE SIGNING OF CHRISSY WALLACE TO HER OWN CLOTHING LINE DEAL!
Charlotte, NC
February 27th, 2007
"I am elated to announce the signing of Chrissy Wallace, Daughter of NASCAR star Mike Wallace, (whose brothers are racing legend and ESPN Racing analyst Rusty Wallace, and younger brother Kenny Wallace, who is a former NASCAR Rookie of The Year), to a deal where she will have her own racing jacket and other related merchandise.
"Chrissy and her Dad Mike Wallace are the inspiration behind the design that I conceived, that was so expertly interpreted through the genius of graphic artist Chris Drew here in Atlanta. Chris and I had worked together on some other things involving our Krunk Basketball franchise uniforms and Basketainment, our DVD division. That relationship made it easy for me to convey my vision to him, knowing that he already understood how my style and taste worked. He nailed it, and so did the seamstress that made the prototype. The result was pure heat. These jackets are as hot as anything on the market", beamed an elated Duane "Spyder" Hughes.
"I was introduced to the Wallaces by my good friend Sybrena Foster of VASY4. Sybrena is a producer and public relations specialist of noteriety from the Miami area, and will be handling a lot of promotion and publicity on the project. She interviewed Chrissy for me last year for my "All Ballers Allowed" e-zine, around the time I was dabbling with the idea of doing a racing jacket. I saw that the kids in the urban areas were starting to take to these NASCAR racing jackets, so, since I had first tried my hand at designing with our Krunk basketball uniform, I decided to come up with something unique in a racing jacket. After consulting with Patty Wright of Seventh House Designs, I decided to let her do the prototype and her seamstress nailed it. A virtual carbon copy of the graphic concept. As with our basketball uniforms, I wanted to do something different. We had cargo pants pockets on our uniforms! I didn't want to get too carried away with the jackets so I only added zip away sleeves to the design"
"We are close to an agreement with a manufacturing and distribution deal as we speak, and will be announcing that alliance as soon as the ink is dry", said Spyder D, as he is professionally known.
"Chrissy is an accomplished racer, at such a young age, and her family name and heritage are something we are proud to be associated with. Chrissy is a big fan of Hip-Hop, and will be co-starring in my title track video later this spring, entitled "Legendary". The last name Wallace is legendary in the annals of racing, and the song is about legendary rap artists that I have had the pleasure of working with during my career so it is a perfect fit."
The jackets will be in blue or white, and depending on the season, or geographical location, will be available in anything from leather, suede, wool, or nylon. For the hot summer months, there will also be t-shirts with the flame logo, and baseball caps. They will be available online and in retail outlets by the end of March.
Chrissy Wallace is currently racing in Charlotte, at the Cricket Arena, former home of Hughes' Charlotte Krunk ABA franchise, in the new Arena Racing USA mini stock car series, where she has won four main event races already. The season ends on March 31st. Besides Arena Racing, Chrissy has victories in Legend's Cars, Thunder Roadsters, Late Models, and Pro-Challenge. For direct interaction with Chrissy, you can chat with her on her forum on www.motorsportslounge.com
Highlights include:
*2 top 5 finishes and 2 top 10 finishes out of 4 races at Hickory Motor Speedway.
*2006 Speed51.com Most Popular Driver in Lowe's Summer Shootout Series.
*Finished 9th in first Late Model race at Concord Motorsports Park.
*Won 2005 Winter Heat championship for Thunder Roadsters.
*22 wins at Concord Motorsports Park in a Legendâs Car and Bandelero Car.
*10 wins at Hickory Motor Speedway in a Legendâs Car.
*Won 40 feature races in 2004-2005.
*First female to win in a Legendâs Car at Friendship Speedway, Elkin, NC in 2004.
*First female to finish in the top five in a Thunder Roadster at Loweâs Motor Speedway, July 2004.
*Over 20 wins at Loweâs Motor Speedway in a Legendâs Car.
*Pole Night winner in Legendâs car at Loweâs Motor Speedway in May 2003-2004.
*Finished 2nd in Legend car championship for Winter Heat.
*Second in track championship at Hickory Motor Speedway in Pro Challenge Cars.
A statement released by former ABA and current CBA basketball franchise owner Duane "Spyder D" Hughes, in regards to anti-gay comments publicly aired by former NBA All Star Tim Hardaway:
"I know Tim Hardaway, and I know for a fact that Tim is a good man. Although I don't share his feelings on the subject, I understand that Tim is human, and capable, as all of us are, at making mistakes. I am sure Mr. Hardaway regrets his statement, and as a friend, I will not abandon that friendship for the sake of political correctness. Tim Hardaway is unquestionably one of the greatest guards the NBA has had in their history, and has revolutionalized the point guard position with his patented crossover move. This has become a very controversial issue, and at some point, a silver lining, by the way of a positive dialogue, is what will come from this. I am here for Tim if he needs me in this turbulent time period."
CONTINENTAL BASKETBALL ASSOCIATION DECRIES TIM HARDAWAY COMMENTS
2007.02.15
ALBANY, NY (January 25, 2007) âThe Continental Basketball Association decries the comments made by Tim Hardaway on February 14thâs edition of Dan LeBatardâs radio show, as broadcast on Miami radio station WAXY, in which Hardaway commented about the sexual orientation of former NBA center John Amaechi, who recently announced that he is gay. Hardaway is a member of Trinity Sports and Entertainment Group, which currently owns and operates the CBAâs Indiana Alley Cats franchise.
âThe CBA does not in any way condone or endorse the hateful comments made by Mr. Hardaway to ESPN yesterday,â said Dennis Truax, Director of Basketball Operations for the CBA. âMr. Hardawayâs comments were unfortunate, hateful and are not the views of the CBA or any of its member teams. It is our fervent belief that any person should be allowed to participate in our league, regardless of race, color, creed, national origin, political preference or sexual orientation, without fear of reprisal or discrimination. The CBA is an equal opportunity employer, and Mr. Hardawayâs comments have no effect or bearing on our position now or in the future. We do not share his views or support his position regarding Mr. Amaechi and his recent personnel revelations.â
Hip Hop History: Cipher Sounds 2/6/2007 9:22:23 PM by Robert
Hip Hop History: Cipher Sounds
The original hip-hop D.J.Cipher Sounds was established in South Side Jamaica, Queens, New York in the year 1975.Little more than a year after the originators of the hip hop genre; Kool Herc, Afrikka Bambatatta, Grand Master Flash and others had created the hip hop culture and had begun to guide it through its infant stages in the Bronx, DJs Divine, Understanding, and Divine Justice had the idea to create their own sound system that would play in the parks and community centers of their neighborhood in Jamaica Queens. Thus Cipher Sounds was born.
In the dictionary a cipher is defined as; A series of well-defined steps that can be followed as a procedure. On the streets of NY in the early 70s the word cipher had become widely associated with a spiritual sect known as; The Five Percent Nation (5%). They utilized the word to describe a group of their members who had gathered together in a circle to pass along knowledge to one another. This knowledge was known as "Divine Mathematicsâ The original founding members of Cipher Sounds; Divine Justice, Divine and Understanding, were practicing members of the culture.Cipher Sounds did their first gig at the Southern Queens Community Center and quickly became a neighborhood favorite. Their style of incorporating European disco records together with soulful break beats was popular with mobile DJs across the city, but Cipher Sounds added a unique aspect to their performance by incorporating an echo chamber for the microphone, adding reverb and effects to the voice of the M.C. behind the music. This soon became their signature sound and would set them apart from many of the other street DJs in New York City.
As time went on two of the original triad; DJ Divine, and Divine Justice left the group to pursue other ventures, leaving DJ Understanding to become Cipher Sounds.Using mostly family members and close friends in the group, Understanding began to solidify the buzz established by Cipher Sounds in the streets of JamaicaQueens.Showcasing their sound system and unique style of DJing in parks and schools like; Lincoln Park, AjaxPark, 48 Park and I.S.8 Junior high school, Cipher Sounds created a reputation that would fill events. The buzz became so huge that Cipher sometimes packed the park beyond capacity, occasionally causing the set to be derailed by the local police.
As the status of the group began to swell, Cipher Sounds broke new ground as the first mobile DJs to become the house set for the popular Queens disco; The Fantasia, located on Linden and Merrick Boulevards.It was also at this time that he would meet and a young hip-hop upstart named Russell Simmons.
Russell was a club promoter who booked Hip-Hop acts like his own artist; Kurtis Blow and placed them in clubs such as The Fantasia, BG Manor, Le Chalet, and Christ the King. Russell had heard about Cipher Sound and began to book Cipher at his events. Cipher Sounds would become the first Queens DJ set to battle against Bronx legend Grandmaster Flash at the Hotel Diplomat in Manhattan.Cipher Sounds continued to work with Russell and in 1978 met Glenn Toby, a young man who was also making a name for himselfin the hip-hop game, going by the name; Sweety G. Glenn introduced Cipher Sounds to well known promoters Mike & Dave who also represented a hot group of Manhattan based rappers called The Crash Crew.Cipher Sounds began to work with Sweety G. and Mike & Dave, performing at the world famous Harlem World in Manhattan and the legendary Disco Fever in the Bronx.
By 1979 Cipher Sounds was working with major recording artists like Michael Murphy of The System (Don disturb this groove) and Bernard Wright who had a big dance hit with Who do you Love" They introduced Cipher Sounds to the Drum Machine.Soon after, Cipher Sounds began working with up and coming rap groups including; Positive K, Kool Moe Dee of Treacherous 3, M.C. Spanky, Spyder D, The Crash Crew and Jimmy Spicer (Super Rhymes).In 1981 he began to produce records and worked with Stetsasonic, Davy DMX, Dr. Jekyll & Mr. Hyde, The Breakout Crew and the Fearless Four.In 1982 Cipher Sounds did a deal with Romell Records and produced and recorded two singles for the label 3 card Marley and Get moved onHe then moved on to sign a deal with Profile Records and began to do Dance music as well as Rap.While working at Profile, Cipher Sounds would meet and mentor a group of rappers (The Rza, The Genius and Old Dirty Bastard) that would later become members of the WU Tang Clan.He also formed and produced a dance music group called Artz and KraftzCipher Sounds left Profile Records in 1988 and signed with Uptown Records as a producer, doing songs for Mary J Blige, Jeff Red, and Father M.C. After inking Artz & Kraftz to a deal with Motown Records, Cipher Sounds began producing and writing songs for the movie; House Party starring Kid & Play. He would produced two songs for the soundtrack Surely and What a feeling. With the success of House Party, Cipher Sounds appeared with Jeff Red on Soul Train, BET and Showtime at The Apollo.
In 1991, Cipher Sounds left Motown and moved Artz & Kraftz over to Columbia Records and toured the United States on the strength of the single All of it. The song was also an underground hit in the U.K. and would take the group to parts of Europe, Japan and Canada, taking their sound world wide.
In 1994 Cipher Sounds left Columbia Records and signed to L.L. Cool J Uncle L Records while also producing for Ja Rule, Black Child, Helter Skelta, and the Original Gun Clappers.
In 1995, after 20 years of making hits and working with some of the most influential people in the record industry, DJ Understanding (Cipher Sounds) decided to broaden his talents and learned graphic design. In 1999 he started a business in Harlem, New York and his new multimedia company included but was not limited to; video editing, video production, an audio recording studio, as well as web and graphic design.
After establishing his venture as a full production studio, and becoming a major force in the industry right in the heart of Harlem, DJ Understanding was faced with a life-altering crisis when in 2002 his daughter was diagnosed with a congenital brain tumor at the age of 8 years old, thus causing him to turn away from the industry to concentrate on family issues.
Currently Understanding (Cipher Sounds) has returned to the entertainment industry in an effort to reestablish his position as a leader in the fields of music and video production and computer graphics.
On February 9th, Adam Perry, aka "Uptown", who is negotiation with Spydo Music/Newtroit Records, will be appearing on MTV's "Yo Momma". He is an all around talented performer, with many skills, residing in the Atlanta area. Check local guide for aring times.
LOS ANGELES // The dance film Stomp the Yard retained its box-office title for a second week, selling $12.3 million worth of tickets.
Spydo Music founder and CEO of the Atlanta Krunk CBA basketball team is elated.
"It is a good thing that this movie is being seen by so many people, as it was shot at a lot of the black colleges here in Atlanta. Specifically, Morris Brown College, where we will open our inaugural season this December. It helps bring about the awareness we are trying to bring about for Morris Brown College, to help it get back to it's normal state, and not be used as just a movie prop."
Please check out former Spyder D's longtime friend, DJ and Chief Engineer, Ivan "Doc" Rodriguez, as he is featured on the History Channel.
The History Channel Presents: Our Generation Episode: Disco
PREMIERE On The History Channel:
Friday, January 19 12:00 PM
Friday, January 19 06:00 PM
Sunday, January 21 08:30 AM
Saturday, January 27 08:00 AM
After the trauma of Vietnam, the disillusionment of Watergate, and the shock of the oil crisis, the boomer generation was in a bit of a funk. But spilling from the underground scene of New York City, a new beat called Disco burst onto the scene. An irreverent response to the gloom of the early 70's, Disco provided the tempo for a universal soundtrack of the "Me" generation. Steve Gillon hosts.
Longtime friends and MC rivals LL Cool J and street legend Mikey D (pictured above at the video taping of the documentary) recently completed work on Mikey D's documentary regarding his remarkable yet unappreciated rap career.
Said Mikey D, "L came through to show madd love. He looked out."
Added Spyder D, who is in negotiation with Mikey D to release his new material through Spydo Music and his Newtroit Records imprint, distributed through Universal, "It is good to see LL, who has achieved superstar status, show support for Mikey. They were friendly rivals when they started MC'ing, and almost became what would have been the most potent duo in rap history. L is not going to just give you that type of respect unless you deserve it."
Mikey D recently released an album featuring production by the late, great Paul C., and has been a Queens battle MC legend from his days with the LA (Laurelton, Queens) Posse, where crews like Spyder D's younger brother and his PBC Crew and Mikey's LA Posse used to run around with soloists like LL and rip house partys and block jams. Mikey is also famous for his victory over Rock & Roll and Hip-Hop Hall of Fame legend Grandmaster Mele Mel at the World Supremacy Rap Battles that used to be held in New York.
Systems integrator RFID Ltd. is launching an application utilizing RFID tags to verify the authenticity of Jimi Hendrix's wah-wah pedal, Jennifer Biel's autographed photos and other memorabilia.
Nov. 15, 2006âAt a private gathering in New York City on Nov. 26, RFID tags will be affixed to Jimi Hendrix's guitar strap from the 1969 Newport Pop Festival, as well as the wah-wah foot pedal he used to enhance the sounds of his guitar. The items will go on display the following dayâon what would have been Hendrix's 64th birthdayâat BB King's Blues Club. Rock icons Eric Clapton and Stevie Wonder are expected to attend the celebration, says Duane "Spyder" Hughes, CEO of recording label Spydo Music, who will help manage the party.
"It's absolutely necessary to apply this technology to music and memorabilia, especially on those belongings from the Hendrix estate, because through the years there have been many fraudulent claims, and we're at a point where you don't know what's real and what's not," Hughes says. "It's helpful for this type of technology to be used with rock, hip-hop and all kinds of music memorabilia."
Actress Jessica Biel
The Ghetto Fighters, a backup group now known as the Fantastic Aleems, recorded several songs with Hendrix prior to his untimely death in September 1970. The group's members own both the guitar strap and the wah-wah pedal, and have agreed to sell these items, along with publishing rights to the songs, to one of the major digital music sites, such as Napster, SpiralFrog or Yahoo! Music.
The bidding for the rights to publish the songs and take ownership of the strap and foot pedal, which began Monday, will last seven days. The idea is to release the songs commercially and link them to a giveaway contest, with the strap and pedal to be offered as prizes. In an effort to promote the music, consumers who purchase and download songs will be entered in the drawing. The giveaway will launch simultaneously with the debut of four unreleased songs in digital format.
The RFID-tagged items are some of the first to become part of an e-pedigree database and certification service offered by Denver-based systems integrator RFID Ltd.. The service is designed to combat piracy in the multibillion-dollar memorabilia industry, according to Nicholas Chavez, the company's president. Chavez, whose company is managing the sale of the Hendrix songs to the music sites, calls the application AuthentiChip.
A few weeks after the Hendrix event, RFID Ltd.'s application will authenticate signed movie production stills in Los Angeles from actress Jessica Biel's latest movie, Home of The Brave. Each photograph will have an RFID label affixed to the back to authenticate the piece.
"We intend to place 10 to 12 authenticated items, associated with the film, on eBay a week or so prior to the release of the film," Biel writes in an e-mail to RFID Journal. "The proceeds will benefit Serving Those Who Serve, which rehabs the houses of returning combat-wounded war veterans."
Biel says she hopes to safeguard her own "brand, and address the blatant counterfeit and knockoff problem that exists on the Web." In addition, she explains, she is intrigued with using the technology to help nonprofits raise money at live auctions.
Each tag's unique ID number will be recorded in a database that will include the item's date of purchase, appraised value, owner, manufacturer and other data. To make it difficult for hackers to duplicate the tag, RFID Ltd. will encrypt the tag's ID number recorded on the data and might also mark the tag with a unique physical identifier, such as a hologram. Chavez, however, declines to explain what sort of encryption technology his company is using.
Owners of memorabilia with an embedded tag will receive a password to access the AuthentiChip database. Once they log in, they can review items owned by others registered in the database and submit offers to make purchases, creating a secondary market for such RFID-authenticated items.
Chavez says the application works with several different types of tags. The type his firm will most likely utilize is Alien Technology's 915 MHz passive EPCGen 2 Squiggle tag, similar to those product manufacturers apply to cases and pallets of goods shipped to U.S. Department of Defense supply depots.
To maintain items in the database, RFID Ltd. charges a one-time fee based on the volume and value of items tagged. For example, it would cost less to RFID-tag and register a signed celebrity photograph than to register an original Picasso painting. For athletic jerseys, photographs, movie props and comparable memorabilia, the fee would be less than $50 to apply an AuthentiChip RFID tag and record information about the tagged item in the database. Pricing could change in the future, the company notes.
Chavez says he plans to partner with an organization specializing in memorabilia, and that he would like to develop kiosks utilizing RFID interrogators and computer terminals linked to the AuthentiChip database. His hope, he adds, is to place the kiosks in stores, to be used by anyone looking to authenticate items. Collectors would also be able to search for items online, in the AuthentiChip database, to check the authenticity of those items.
Ideally, auction houses will possess RFID readers and access to the AuthentiChip database to authenticate items up for sale. RFID Ltd. intends for the application to replace the manual process of taking a Polaroid photo of someone signing a piece of memorabilia and printing a certificate (the only method presently used to prove the authenticity of collectibles, Chavez claims).
According to Chavez, RFID Ltd. could possibly sell RFID interrogators in the future. If his company can make the readers inexpensive, he explainsâabout $100 eachâthen the average eBay seller or buyer would be able to use the application, as well.
Vaughan Mason publishes tell all industry survival guide! Chocked full of information for artists, musicians and producers looking to do it the right way without getting ripped off by the sharks in the business. With bonus DVD, interview with super producer/mixologist Mark The 45 King, and a bonus chapter from the upcoming Spyder D biography "So You Wanna Be A Rapper", as told to Hip-Hop journalist "Markskillz".
ALBANY, NY (October 19, 2006) - The Continental Basketball Association announced today that the 2006-07 schedule will now consist of eight teams instead of the previously announced ten teams. The Atlanta Krunk Wolverines and the Vancouver Dragons have received permission from the CBA Board of Directors to move from an "A" status to a "B" status and will not participate in the 2006-07 season. Both franchises will return to the CBA as full "A" members for the 2007-08 season.
The 2006-07 CBA season will consist of eight teams, Albany Patroons; Butte Daredevils; Great Falls Explorers, Indiana Alleycats; Minot Skyrockets; Pittsburgh Xplosion; Utah Eagles; and the Yakama Sunkings. The Patroons; Alleycats; Skyrockets; and the Xplosion will make up the American Conference with the Daredevils; Explorers; Eagles; and the Sunkings making up the National Conference. The two teams with the most quarter points in each conference will meet for the conference championship with each winner moving on to vie for the CBA Championship. Each CBA Playoff series will be contested in a best of three format, with the lowest seed hosting the opening contest and the higher seed hosting the final two games.
"While we are saddened that the Vancouver Dragons and the Atlanta Krunk Wolverines have decided to move to "B" status for the upcoming season, we are confident that they have made the best decision for themselves and the CBA to succeed in the 2006-07 season," said CBA Director of Operations Dennis Truax. "The Dragons have run into arena lease problems which necessitated their not playing this season. The Krunk Wolverines have chosen to take this time to solidify their operations and with the Dragons choosing to go to a "B" status, the Krunk Wolverines felt that it was in their and the CBA's best interests to move to a "B" status and return to the court for the 2007-8 season.�
"It is unfortunate that Atlanta and Vancouver will not be able to participate this season, "said CBA Executive Committee Vice-President Joe Clark. "We have eight strong teams for this season and with the previously announced expansion for 2007-08 and the return of Atlanta and Vancouver, the future is bright for the CBA"
A full version of the new schedule can be viewed in the schedule portion of this site.
New York, August 25th, 2006
SPYDER D TO RECEIVE BMI URBAN AWARD IN NY
Hip-Hop Pioneer Spyder D (Duane Hughes) will receive an award from Broadcast Music Incorporated for his original writing work on "How We Do", the smash debut single by The Game, which was derived from his twice gold smash "Smerphie's Dance", which was originally released twenty three years ago. LA Reid and Babyface Edmonds will receive a Lifetime Achievement Award at the same ceremony, which will be held at the famous Roseland Ballroom in Manhattan on August 31st. "This is a great honor to be recognized by BMI, as I have been an affiliated writer and publisher since the beginning of my career", said Spyder from his Atlanta home based Pro Tools studio where he was cutting tracks for his final rap album entitled "Legendary", due out next year on his famous Newtroit label, distributed through Empire MusicWerks/Universal. When asked about his apparent absence from the writers credits on the album, Spyder said, "....man I don't get into all of that. I let my publsihing company, Sony/Lastrada Entertainment do what they do. I have a basketball team and label to run, not to mention launching this Jimi Hendrix project on Spydo Mobile. I have nothing but respect for The Game, Fifty, and Dre is the best Hip-Hop producer ever. I'll pick up the award, thank BMI, and keep it movin'"
Atlanta, GA (PRWEB) August 9, 2006 -- Hip Hop musical icons C&C Music Factory's Freedom Williams and rap producer/artist pioneer Duane "Spyder" Hughes, form an alliance to bring pro basketball to Atlanta. The two have formed Atlanta Krunk Basketball, LLC, along with minority partner Andrew Schwab, to bring a minor league basketball franchise that will enter the Continental Basketball Association (CBA). The CBA has operated successfully for more than 60 years, and has been responsible for several prominent players and coaches eventual placement in the NBA, including nine time NBA Champion coach Phil Jackson. Freedom Williams says, "We at the Krunk organization, along with the city of Atlanta, are ecstatic about the possibilities of merging music, (thus, Krunk), and sports to bring the consumer a unique experience in sight and sound. "We will bring all our resources to bear in this endeavor. The merger of music and sports has been flourishing for several years now, but never has a sports franchise designed both into its projections. We look forward to very exciting and groundbreaking achievements for years to come." "Spyder" Hughes added, "We are in the midst of negotiating our venue and other administrative tasks, and we should be announcing the hiring of a head coach within a week or so. It's a great opportunity for Freedom and myself to work together, and with the staff we are putting together in Atlanta, and combining the entertainment element, the city is in store for some new excitement." Veteran sports media consultant Derrick Pearson, who is slated to a weekly CBA sports show called CBA Pro Talk, where he will cover select CBA games via internet broadcast, has been tabbed as the General Manager for the new ball club, and will handle all day to day operations for the two music stars, as well as handle the Radio Broadcast Executive for Trinity Sports & Entertainment Group, who owns four CBA teams slated to play this season. Spyder will also double as a VP of Entertainment for the group. The rap pioneer Spyder is also set to launch his Spydo Mobile cell phone division, which will be premiering previously unreleased music from The Ghetto Fighters with guitar/rock legend Jimi Hendrix featured on lead and solo guitar in a series called "Urban Street Tales", and is also to receive a songwriters award on August 30th, at the BMI Urban Awards in New York for his contribution to the platinum selling Dr. Dre/50 Cent production of. The Game's "How We Do". Spyder is also simultaneously relaunching Newtroit Records, his pioneering Hip-Hop label, that will be distributed through Universal's Empire MusicWerks/Tofa Enterprises. The first video released will feature Chrissy Wallace, the daughter/niece of NASCAR drivers Mike, Ken and Rusty Wallace. Young Chrissy is creating quite a stir on the race circuit herself, as she has won several events racing out of Charlotte, NC. Spyder has designed a racing jacket, inspired by Chrissy's exciting race style, and that jacket is scheduled to go into manufacture this fall. Freedom Williams, who is a five times American Music Award winner, Grammy Award nominee, MTV award winner, five times Billboard Award winner, and eight times platinum recording artist, is lending his 20 year veteran platinum touch to the his newly formed FWE (Freedom Williams Entertainment). After dropping his successful Wendy Williams Diss Tape (FWE Vol 1 on the Streets of New York), in the summer of 05, he came back with the Bed Stuy Mafia "Hard Pieces" mix tape which featured the "FWE All Stars." The premiere artist out of the FWE camp, *Alkebulan*, is blazing up the Billboard charts at press time, and is currently number 47 on the dance charts in that respective magazine, and, radio is currently clamoring for the single entitled Pride (InYour Soul), which will be delivered to radio by the second week of Aug. A video was shot for the single entitled "*Not Love At First Sight*", which is a wonderful ballad produced by super producer *Ra-Sun*. The single is currently being promoted to BETJ. Freedom is putting the finishing touches on a full blown production facility in Brooklyn New York. This facility will have a recording studio, offices, and a video editing room and will be capable of producing almost all aspects of the life of the creation of a song in the 21st century. Currently FWE has a staff of five people and looks to expand this fall to a staff of 10.
New York, NY (PRWEB) May 29, 2006 -- Before guitar legend Jimi Hendrix unfortunate death in 1970, he began a project with his backup group the "Ghetto Fighters, who were the Allen twins (now known as the Aleems, Tunde Ra and Taharqa). The guitar legend and his protege's recorded almost all of the album project that was going to be finished when Hendrix returned from Europe. When Hendrix passed away, the project was scuttled, and sat in a vault until 1995, when the Aleems reached a settlement with the Hendrix estate for the release of the masters. they then finished the vision that Hendrix had in mind when he began the project in 1969.
"This was a blessing for a brand new company that is in the process of branding", said Spydo Music CEO and founder Spyder D. "This was made possible by the Hendrix family and the Aleem twins who are my musical brothers. We will now take on the task of releasing this in limited form, while maintaining the sacredness and mystique of one of the greatest all time musicians to grace this Earth".
Spyder, while not revealing all that is planned for the project, did say that some rare and limited footage will be available exclusively on the Spydo Mobile web site, which is still under construction.
"I have been trying to get unique content for the site, and for video streaming to cell phones ever since I partnered up with 19 Communications last fall. This certainly fits the bill for unique content. No one else in the world has this, and I can't say enough thanks to the Hendrix family and the Aleems for entrusting me with it. I am blessed and fortunate to have such a treasured jewel, which will yield some surprise content for both our mobile tv technology and our web site portal. We have some great things in store for our "Cell Phone Phanatics" that no one else has, including the music from our ever growing artist roster at Newtroit Records, classic Motown footage courtesy of the Motown Alumni Association, and a bevy of surprises from todays hottest artists. All of this content will be beginning introduction in two weeks as the site, and mobile technology go live", says a jubilant Spyder D, whose real name is Duane Hughes, a pioneering rapper/producer from Hollis, Queens, NY who came up in the business under the tutelage of Russel Simmons and the famed Rush Productions Management.